Finale from <I>The Firebird Suite</I> Cover Image

Finale from <I>The Firebird Suite</I>: Concert Band Conductor Score

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Finale from <I>The Firebird Suite</I> Cover Image

Finale from The Firebird Suite: Concert Band Conductor Score

By Igor Stravinsky / arr. Michael Story

Grade: 3 (Medium Easy)

Item: 00-BDM01013C

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Description
Taken from the finale of the suite from Stravinsky's immortal ballet, this contemporary arrangement has been masterfully scored by Michael Story. It retains all of the original energy and enthusiasm, and with the addition of current percussion writing, you will welcome the attention to scoring details. This is the perfect major work to focus attention to your ensemble. Highly recommended!

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 12
UPC: 654979998365
SKU: 00-BDM01013C

More about this title

About the Composer: Igor Stravinsky

Igor Stravinsky (1882-1971) fundamentally reshaped twentieth-century music through radical reinvention of rhythm, orchestration, and harmonic language. His early ballets, particularly The Firebird, established him as a composer unafraid to challenge conventional approaches to instrumental writing and dramatic narrative. Stravinsky's influence on music education extends far beyond performance repertoire; his scores demonstrate how orchestration can drive compositional architecture and how percussion can function as a melodic and structural voice rather than mere accompaniment.

Why we love this

Michael Story's arrangement captures the visceral excitement of Stravinsky's original without losing the sophisticated orchestration that makes this finale so rewarding to conduct. At Grade 3, you get a legitimate major work that challenges your ensemble on musical interpretation and ensemble blend rather than technical pyrotechnics, making it an ideal centerpiece for a concert program. The updated percussion writing feels contemporary while honoring Stravinsky's rhythmic innovations.

What to expect

Brilliant and kinetic from the opening, this finale crackles with the rhythmic energy that defined Stravinsky's early twentieth-century voice. The constantly shifting instrumental colors and dialogue between brass, woodwinds, and percussion create a sense of theatrical inevitability, building to moments of pure orchestral exuberance that feel both wild and carefully controlled.

Who it's for

Conductors programming a concert band at the intermediate level who want to feature a work with genuine musical substance and orchestral sophistication. This arrangement suits ensembles ready to tackle ensemble balance, dynamic control, and stylistic awareness without requiring virtuoso soloists or extreme ranges.

How to get the most out of it

  • Shape the brass passages with careful dynamic gradation rather than playing them as single blocks of sound; the interplay between sections creates the momentum Stravinsky intended.
  • Lock the timpani and percussion parts tightly with your conducting; their rhythmic precision is essential to the piece's propulsive character and articulation of harmonic changes.
  • Emphasize the woodwind countermelodies in the middle sections; they often carry motivic material that the audience expects to hear clearly even when the brass is prominent.

How to use it

Reserve this as a concert finale where you want to send the audience out energized and impressed by your ensemble's musicianship. It pairs beautifully with contemporary works or lighter fare earlier in the program, allowing you to demonstrate the breadth of your group's capabilities in a single major work.

Skills your students will build

  • Dynamic control across sustained passages and rapid changes
  • Ensemble balance with multiple simultaneous rhythmic figures
  • Stylistic understanding of twentieth-century orchestration and Stravinsky's compositional approach
  • Precision in coordinating complex percussion parts with melodic voices
  • Interpretation of score details and Story's arrangement choices

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