Fillimiooriay (Paddy Works on the Railway) Sheet Music Preview

Fillimiooriay (Paddy Works on the Railway): TTB Choral Octavo

(Paddy Works on the Railway)

Irish-American Folk Song / arr. Lon Beery

Item: 00-PO-0000066

Digital Download
$2.05

Minimum order quantity: 20 copies

Description
Optional solos create the opportunity to feature your strongest boys in this animated arrangement of a traditional Irish folk song. Particular attention is paid to appropriate ranges for young men in any stage of their voice change. Fun for singers and accompanists alike!

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Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0000066

More about this title

About the Arranger: Lon Beery

Lon Beery

Lon Beery directs six choruses at Spry Middle School in Webster, New York, working with roughly 500 students across multiple grade levels. His arrangements and compositions have been published through Alfred Music, BriLee, and other major choral publishers, and his work has reached audiences far beyond the classroom, including a performance by the U.S. Army Chorus at a presidential service.

Beyond his arranging work, Beery contributes regularly to the choral education community through articles in Choral Journal and Music Educators Journal, presentations at state and national ACDA and MENC conferences, and his leadership role as Middle School Chair for New York ACDA. His compositions have earned multiple ASCAP Standard Awards.

Why we love this

Beery knows middle school boys. This arrangement accommodates voices at any stage of change while keeping the energy high and the fun factor real. The optional solos let your strongest singers shine without forcing others into uncomfortable ranges, and the animated treatment of the traditional melody makes rehearsals feel less like work.

What to expect

Rollicking and spirited, with the character of a traditional Irish work song given contemporary choral polish. The piece bounces along with good humor and accessibility, inviting singers to enjoy the storytelling as much as the singing.

Who it's for

TTB choirs in middle school or early high school, especially ensembles with boys navigating voice change. The optional solo features make it ideal for programs where you want to highlight individual singers while keeping the full ensemble engaged and comfortable.

How to get the most out of it

  • Balance the harmonic texture by checking that your tenor line carries the melody clearly; the lower parts should support rather than dominate.
  • Let singers who aren't taking the optional solo sections lean into rhythm section energy. Their precision locks the arrangement together.
  • Find the comedic lift in the text and melody. This piece wants lightness, not weight.

How to use it

Program this for a spring concert where you want something that feels fresh without demanding heavy dramatic weight. It pairs well with other folk arrangements or sits nicely as an upbeat moment between more serious literature. The 8-page length and straightforward style make it achievable on a reasonable rehearsal timeline.

Skills your students will build

  • Singing in mixed upper-register voicing (TB and TTB configurations)
  • Maintaining clarity and independence in three-part harmony
  • Executing optional solo passages with confidence and phrasing
  • Adapting vocal placement across voice-change stages
  • Responding to text and storytelling in folk-based material

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