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Fifteen Waltzes: Piano Book & CD

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Fifteen Waltzes Cover Image

Fifteen Waltzes: Piano Book & CD

By Frédéric Chopin

Item: 00-K02107X

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Description
Among Chopin's most popular compositions, the Waltzes were designed not for dancing but for concert performance. Also included is an outstanding CD recording from the Naxos label by internationally renowned pianist Idil Biret. Titles: Grand Valse Brillante, Op. 18 * Valse Brillante, Op. 34, No. 1 * Valse Brillante, Op. 34, No. 2 * Valse Brillante, Op. 34, No. 3 * Valse, Op. 42 * Valse, Op. 61, No. 1 * Valse, Op. 64, No. 2 * Valse, Op. 64, No. 3 * Valse, Op. 69, No. 1 * Valse, Op. 69, No. 2 * Valse, Op. 70, No. 1 * Valse, Op. 70, No. 2 * Valse, Op. 70, No. 3 * Valse in E Minor (Post.) * Valse in E Major (Post.).

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 76
ISBN10: 0-7390-9851-9
ISBN13: 978-0-7390-9851-6
UPC: 038081463025
SKU: 00-K02107X

More about this title

About the Composer: Frédéric Chopin

Frédéric Chopin (1810-1849) was a Polish composer and virtuoso pianist whose works fundamentally transformed piano literature. He spent much of his career in Paris, where his compositions bridged classical form and romantic expression, establishing the piano as a medium for intimate, personal musical storytelling rather than mere display.

Chopin's influence on music education remains profound. His technical demands require serious study of hand position, pedaling, and interpretive control, while his harmonic innovations and emotional depth continue to challenge pianists at every level. He remains essential repertoire for pianists pursuing both technical mastery and artistic development.

Why we love this

Chopin's waltzes occupy a unique space in the concert repertoire; they are approachable yet sophisticated, charming yet emotionally complex. The inclusion of Idil Biret's recorded interpretations provides students with a reference point from one of the twentieth century's most respected Chopin interpreters, making this book and CD pairing invaluable for both solo study and teaching.

What to expect

These waltzes shimmer with elegance and restraint. Though nominally dance forms, they pulse with introspection and lyrical beauty, moving between passages of sparkling brilliance and moments of tender, almost intimate reflection. The harmonies often surprise, and the melodies linger long after the final note.

Who it's for

Advanced amateur pianists and conservatory students preparing recitals or working toward a deeper understanding of Romantic piano literature. This collection serves teachers seeking quality solo repertoire that balances technical development with genuine musical substance.

How to get the most out of it

  • Listen to Biret's recording before and during your preparation to absorb phrasing, rubato, and pedaling choices, then develop your own interpretive voice rather than copying.
  • Pay close attention to hand position and weight distribution in the more virtuosic passages (especially the Op. 34 and Op. 18 pieces), as finger technique alone will not sustain the necessary clarity and tone.
  • Shape the melodic line with subtle dynamic gradations rather than obvious swells; Chopin's waltzes reward understated expression over theatrical interpretation.
  • Experiment with pedal placement to enhance harmonic color without muddying the bass line, particularly in the more chromatic waltzes like the E Minor posthumous piece.

How to use it

Feature an individual waltz or pair of contrasting waltzes within a recital program to showcase technical polish alongside interpretive maturity. The varied keys and moods make it possible to program these pieces strategically alongside other Romantic works, or to build an entire recital around Chopin's waltz cycle.

Skills your students will build

  • Romantic-era rubato and flexible tempo control
  • Pedaling techniques for harmonic coloration in chromatic and enharmonic passages
  • Hand position and weight distribution in virtuosic right-hand figurations
  • Phrasing and melodic shaping in lyrical passages
  • Interpretation of dance forms in concert settings
  • Understanding harmonic innovation in nineteenth-century keyboard writing

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