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Fifteen Fugues for Solo Violin: Solo Violin Book

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Fifteen Fugues for Solo Violin Cover Image

Fifteen Fugues for Solo Violin: Solo Violin Book

By David Matthews

Item: 12-0571526411

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Description
Fifteen Fugues for Solo Violin by David Matthews was first performed by Peter Sheppard Skærved, at the Glyptothek, Munich, Germany, on December 6, 2002.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52641-1
ISBN13: 978-0-571-52641-3
UPC: 9780571526413
SKU: 12-0571526411
Instrumentation: Solo Violin

More about this title

About the Composer: David Matthews

David Matthews emerged as a significant compositional voice in late 20th-century Britain, building a catalogue that draws from both modernist rigor and lyrical sensibility. His work across orchestral, chamber, and solo instrumental music demonstrates a consistent engagement with structural clarity and expressive depth, positioning him as a bridge between the complexities of contemporary composition and the traditions of the European canon.

Why we love this

These fifteen fugues arrive as a serious addition to solo violin repertoire, offering substance without sacrificing playability. Matthews constructs each piece with genuine contrapuntal architecture, giving violinists both intellectual engagement and genuine musical reward across a full recital or competition program.

What to expect

These fugues balance intellectual rigor with genuine lyricism. The writing sits comfortably on the instrument while maintaining the gravitational pull of tonal counterpoint, creating pieces that reward both the performer's discipline and the listener's ear.

Who it's for

Advanced violinists preparing for competitions, recitals, or auditions will find these fugues substantive enough to sustain a full program or meaningful encore. They also serve violinists seeking contemporary solo material that prioritizes contrapuntal clarity and formal architecture over extended technique for its own sake.

How to get the most out of it

  • Map out the structural voices in each fugue before rehearsal; knowing where the subject returns and how it transforms helps you shape phrasing across the longer lines.
  • Resist the temptation to rush through rapid passagework. The clarity of Matthews's counterpoint depends on spacing and articulation that only deliberate tempo choices reveal.
  • Consider how each fugue's character sits within the collection. Contrasting pieces back-to-back will highlight their individual voices and prevent listener fatigue over a longer set.

How to use it

Feature a single fugue or pair of contrasting pieces as a contemporary anchor in a mixed recital, or build an entire program around the full set for advanced students seeking a modern companion to Bach's solo works. They also stand as strong festival competition selections that differentiate a violinist's program.

Skills your students will build

  • Contrapuntal independence and voice leading across multiple registers
  • Shaping long melodic lines while maintaining structural clarity
  • Interpreting 20th-century compositional language rooted in tonal procedures
  • Building sustained programs with contemporary solo repertoire

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