Fifteen (15) Songs, Book 2 (Nos. 8-15) Cover Image

Fifteen (15) Songs, Book 2 (Nos. 8-15): High Voice, Solo with Piano, VS

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Fifteen (15) Songs, Book 2 (Nos. 8-15) Cover Image

Fifteen (15) Songs, Book 2 (Nos. 8-15): High Voice, Solo with Piano, VS

By Leo Delibes/ French text

Item: 36-M372291

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Description
Titled Vocal Album (or 15 Songs with Piano Accompaniment), this collection of art songs by French composer Léo Delibes (1836-1891) was first published in 1887. The publisher has broken the collection into two volumes. French text. Reprint edition. Book 1: 1. Églogue; 2. Que l'heure est donc brève! (How Fleeting the Hour); 3. Myrto; 4. Avril; 5. Départ (Departure); 6. Les filles de Cadix (The Maids of Cadiz); 7. Bonjour, Suzon! (What Matter). Book 2: 8. Heure du soir (Evening Hour); 9. Chanson de l'oiseleur (Song of the Bird-catcher); 10. Regrets!; 11. Chant de l'almée (Song of the Almée); 12. White and pink (Blanche et rose); 13. The nightingale (Le rossignol); 14. Love's grief (Peine d'amour); 15. Arioso (Arioso).

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Additional Details
Series: Master Vocal Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270075-8
ISBN13: 979-8-89-270075-7
UPC: 659359966170
SKU: 36-M372291
Instrumentation: Voice and Piano

More about this title

About the Composer: Leo Delibes

Léo Delibes (1836-1891) was a French composer whose gift for melody and orchestration made him one of the most performed composers of the late nineteenth century. Though he is best remembered for his ballets Coppélia and Sylvia, Delibes was equally skilled in vocal writing, crafting art songs that showcase the French romantic tradition's elegance and emotional restraint. His songs reveal a composer attuned to text, harmony, and the particular demands of the singing voice.

Why we love this

These eight songs represent Delibes at his most intimate, offering a masterclass in French vocal style without the technical demands that can limit access to his larger works. Each piece stands alone dramatically and musically, making this collection ideal for building a recital program or introducing singers to the French art song tradition. The piano writing is sophisticated but not overwhelming, supporting rather than competing with the vocal line.

What to expect

These songs balance elegance with genuine feeling. The melodies are memorable and singable, yet the harmonies contain unexpected shifts in color and emotion that reveal themselves over repeated hearings. There's a lightness to these pieces that never slides into frivolity.

Who it's for

High voice soloists preparing art song recitals, advanced high school singers entering college-level repertoire, and voice teachers seeking French romantic material that builds musicianship without requiring dramatic weight. This book works equally well for concert performance or private study.

How to get the most out of it

  • Attend carefully to French diction and nasal vowels. The text matters as much as the melody, and clarity here elevates the entire performance.
  • Shape phrases with the long line in mind rather than emphasizing individual notes. Delibes favors elegant arcs over dramatic gestures.
  • Balance the voice warmly against the piano; these songs reward a lyrical, connected sound rather than a large, operatic approach.
  • Explore the emotional arc within each song before trying to connect it to others. Many pieces contain surprising harmonic turns that deepen their impact when found organically.

How to use it

Book 2 pairs naturally with concert themes around French art song, romantic vocal traditions, or intimate chamber works. These songs work particularly well in the second half of a recital, where their lyrical character invites deeper listening. They also serve as a bridge between more familiar Italian repertoire and the broader world of French mélodie.

Skills your students will build

  • French diction and vowel formation
  • Phrasing across longer melodic lines
  • Interpretation of harmonic color and emotional nuance
  • Collaborative musicianship with piano accompaniment
  • Understanding of nineteenth-century romantic vocal style

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