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Fiesta! The Legend of the Poinsettia: Unison Choral Teacher's Handbook (Includes Reproducible Student Pages)

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Fiesta! The Legend of the Poinsettia Cover Image

Fiesta! The Legend of the Poinsettia: Unison Choral Teacher's Handbook (Includes Reproducible Student Pages)

A Christmas Mini-Musical for Unison Voices, Based on a Mexican Folk Tale

By Sally K. Albrecht and Jay Althouse / orch. Tim Hayden

Grade: 2--7

Item: 00-35854

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Description
As Nochebuena (Christmas Eve) approaches, all of the villagers celebrate the wonderful traditions of Las Posadas---from the nightly candlelit processions to the breaking of the piñata. But young Alicia is troubled, as she has no gift to present in the plaza on Christmas Eve. She learns that giving from her heart is magical, as her lowly gift blossoms into the fiery poinsettia plant. This 20-minute mini-musical will captivate your performers and audiences alike. Options given for sacred performances. Features several Spanish words and short phrases. Titles: Fiesta! * Is There Any Room? * The Piñata Song * What Can I Give? * March of the Children. Teacher's Handbook includes reproducible pages.

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Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-8044-X
ISBN13: 978-0-7390-8044-3
UPC: 038081400501
SKU: 00-35854

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and clinician with a particular gift for movement-integrated choral work. Her catalog exceeds 600 published choral pieces and 75 full-length musicals, earning her ASCAP recognition every year since 1987. She has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent much of her career directing school choral and vocal publications for Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught in university music departments at Oakland University, Jersey City State College, and Meredith College. She has served as chair of the national board for Omicron Delta Kappa and received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021. She lives in Wake Forest, North Carolina, with her husband and frequent collaborator, composer and arranger Jay Althouse.

Why we love this

This mini-musical delivers a meaningful cultural narrative without requiring complex harmonies or part management, making it genuinely accessible for young singers while remaining theatrically satisfying for audiences. Albrecht's gift for movement and storytelling shines throughout; the material feels alive rather than didactic, and the mix of English and Spanish words creates authentic cultural texture that enriches young singers' understanding of holiday traditions beyond their own communities.

What to expect

Warm and processional, with moments of quiet introspection balanced against festive energy. The story unfolds with genuine tenderness around Alicia's anxiety and gift-giving, while songs like "The Piñata Song" and "March of the Children" bring joyful celebration and movement opportunities that young singers instinctively respond to.

Who it's for

This handbook serves directors of elementary and middle school choirs (Grades 2-7) who want to produce a complete theatrical experience without the complexity of multi-part arrangements or advanced staging demands. It works equally well as a winter concert anchor piece, a school assembly program, or a community celebration centered on multicultural tradition and character growth.

How to get the most out of it

  • Lean into the processional quality of Las Posadas traditions by staging the opening numbers with deliberate, candlelit movement; even simple blocking transforms the piece from concert singing into lived ritual.
  • Use the Spanish phrases and titles as pronunciation touchstones in rehearsal; have students own these words musically rather than treating them as foreign elements, which deepens their connection to the cultural context.
  • Build the emotional arc around Alicia's journey by varying dynamic and vocal quality between her anxious earlier moments and her triumphant realization; unison singing amplifies character shifts when the whole ensemble makes them together.
  • If using the piñata scene, rehearse the rhythmic vitality of that movement number separately to establish the energy and clarity needed for it to land theatrically among younger performers.

How to use it

Position this as the centerpiece of a winter concert focused on multicultural holiday traditions, or present it as a standalone assembly program for families. The 20-minute length fits perfectly into either a dedicated performance slot or as a substantial opening number that sets a thoughtful, celebratory tone for additional repertoire.

Skills your students will build

  • Reading and performing in unison within a dramatic narrative context
  • Pronunciation and musical phrasing of Spanish words and short phrases
  • Coordinating singing with movement and staging
  • Understanding cultural traditions through lived musical experience (Las Posadas, piñata, Nochebuena)
  • Character portrayal and emotional expression in ensemble singing
  • Following a through-composed musical arc with distinct sections and mood shifts

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