Fiesta! Cover Image

Fiesta!: Piano Book

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Fiesta! Cover Image

Fiesta!: Piano Book

By Lee Evans

Item: 98-FJH2140

$6.95
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Description
Featuring a fresh and original approach to the dances of Latin America and the Caribbean, these solos by Lee Evans are sure to motivate your students. Fun to play, and not requiring lots of time to work up, these could be used for performance or casual gig. Some of the dances included are cumbia, guaracha, habanera, merengue and tango. In particular, Son cubano is sure to be an instant classic.

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Additional Details
Series: Jazz in Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-882-8
ISBN13: 978-1-56-939882-1
UPC: 674398228119
SKU: 98-FJH2140

More about this title

About the Composer: Lee Evans

Lee Evans is a pianist and composer whose work spans jazz, pop, and educational repertoire. His arrangements and original compositions have become staples in music education, known for their accessibility without sacrificing musical substance and rhythmic sophistication.

Evans has built a reputation for creating pieces that engage students immediately while developing real musicianship. His understanding of what works in a lesson or rehearsal room, music that students genuinely want to play, shapes everything he writes.

Why we love this

These solos breathe fresh air into the Latin jazz genre without requiring weeks of woodshedding. Evans captures the essential character of each dance style while keeping the harmonic vocabulary and technical demands squarely in the intermediate range, which means your students will spend their practice time making music rather than fighting the notes.

What to expect

You're transported through the Caribbean and Latin America in a single collection. The music has immediate vitality, the cumbia's steady pulse, the tango's dramatic tension, the son cubano's infectious bounce, yet each style feels authentic rather than caricatured. These pieces deliver the joy of Latin music without pretense.

Who it's for

This collection works beautifully for intermediate pianists who need accessible solos with real personality and style. It also appeals to teachers building Latin jazz literacy in students who might otherwise only encounter classical or pop idioms.

How to get the most out of it

  • Lock the clave rhythm in your head before you start. Even when it sits in the accompaniment, your phrasing needs to acknowledge it so the piece has authentic groove.
  • The rhythmic syncopations are written precisely; resist the urge to smooth them out or swing what isn't marked to swing. That specificity is what makes each dance style work.
  • Use the recorded accompaniment as a timing reference, but build independence from it early. Once you're solid, playing with the track becomes about conversation, not following.

How to use it

Pair these with your jazz or contemporary music concerts to show how popular dance styles connect to concert music. They also work as solo recital pieces for students exploring jazz idioms, or clustered together for a thematic Latin music showcase that requires minimal rehearsal time for maximum impact.

Skills your students will build

  • Latin rhythm patterns and clave understanding
  • Reading syncopated rhythms with precision
  • Interpreting dance-based styles (tango, merengue, cumbia)
  • Comping and accompaniment styles appropriate to each genre
  • Stylistic authenticity without over-interpretation

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