Fiero: Oboe
By Steve Hodges
Grade: 2 (Medium Easy)
Item: 00-PC-0000330_O1
$3.00
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Description
Looking to add a little Latin influence on your next concert? Expanded percussion parts and aggressive rhythms highlight this impressive piece by Steve Hodges. Following an exciting introduction, the soaring Spanish-style melody will grab the audience and never let go! All sections will shine with a variety of dynamics and synconpated rhythms. A great change of pace for any concert occasion. Fiero! This title is available in MakeMusic Cloud.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fiero: Oboe comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Young Symphonic
Publisher:
Alfred Music
Page Count:
264
SKU:
00-PC-0000330_O1
More about this title
About the Composer: Steve Hodges
Steve Hodges studied music education at Western Oregon University and Central Washington University, earning degrees that shaped four decades of teaching across band, choir, and ensemble settings in public schools. Since 1986, he has composed over 120 concert band works published by Alfred Music, alongside choral arrangements for Staff Music and Shawnee Press. His music appears regularly at state conventions and festivals worldwide, with commissions from honor bands and schools across North America and broadcast placements on TBS and ESPN.
Hodges holds membership in ASCAP and has received multiple composition awards throughout his career. Now retired and living in The Dalles, Oregon, he remains active in community music alongside his wife, Teddie. He takes particular joy in learning that his grandchildren are performing his compositions in their own school bands.
Why we love this
Hodges crafts this piece with the specific needs of Grade 2 bands in mind. The Latin idiom feels fresh and energizing without demanding advanced technique, and the expanded percussion writing gives those sections meaningful musical material rather than accompaniment filler. Audiences respond immediately to the Spanish-style melody, making this an excellent choice when you need audience engagement and student satisfaction on the same program.
What to expect
The opening explodes with excitement and sets an aggressive rhythmic energy that carries throughout. When the Spanish-style melody enters, it soars over that driving foundation with warmth and a sense of celebration, pulling the listener in with an irresistible forward momentum.
Who it's for
Grade 2 concert bands seeking repertoire with Latin flavor and strong audience appeal. This works equally well for groups preparing for contest or building a diverse concert program with accessible difficulty and immediate musical payoff.
How to get the most out of it
- Lock in the syncopated rhythms early in rehearsal by isolating them section by section rather than drilling full passages. Clean execution here transforms the piece from competent to exciting.
- Let the Spanish-style melody breathe in the soaring sections. Young players often rush lyrical material, so mark the releases and allow space before the next phrase begins.
- Bring the expanded percussion parts forward in your balance checks. This piece relies on rhythmic energy and texture; if the percussion recedes, the character flattens immediately.
- Use the dynamic contrasts as building blocks for phrasing rather than treating them as sudden shifts. Grade 2 bands can execute this level of shaping when you frame it as storytelling within the Latin character.
How to use it
This thrives as a concert centerpiece or a strategic shift in tone partway through a program. Pair it with contrasting concert band repertoire to demonstrate your ensemble's range, or position it where you need a guaranteed audience moment that builds student confidence heading into the final selections.
Skills your students will build
- Executing syncopated rhythms with precision and musicality
- Balancing ensemble texture when expanded percussion parts carry the driving pulse
- Shaping melodic phrases with breath and phrasing in Spanish-style material
- Reading and performing dynamic contrasts that shape the overall arc
- Latin style interpretation and rhythmic feel