Fields of Honour Cover Image

Fields of Honour: Brass Choir Score & Parts

$30.00 USD
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Fields of Honour Cover Image

Fields of Honour: Brass Choir Score & Parts

By William Mighton / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BC2339

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Description
The idea for this march originated from a conversation that took place in the pine forests of Camp Borden, Ontario, during Basic Recruit Course with the Canadian Armed Forces. The composer listened as one of his instructors spoke passionately about the possibility of a new kind of army, an army that would bring peace to the world rather than war. And even though the day when that goal is truly accomplished still lies, unfortunately, sometime in the future, it is true that the honourable role of peacekeeping has now become a major focus of both Reserve and Regular armed forces in Canada. It has been arranged for a brass ensemble consisting of 5 trumpets (including piccolo), 4 horns, 3 trombones, euphonium, 2 tubas and percussion.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-373-6
ISBN13: 978-1-55472-373-7
UPC: 685462000500
SKU: 81-BC2339
Instrumentation: 5.4.3.1.1.perc

More about this title

About the Composer: William Mighton

William Mighton draws inspiration from lived experience, channeling personal moments into compositions that carry genuine emotional weight. His work for brass reflects a deep understanding of both the instrument's capabilities and the human stories worth telling through music.

Why we love this

This march carries genuine weight. Rather than generic patriotic fanfare, it emerges from a specific conversation about peacekeeping and purpose, which gives the brass writing an earnest, purposeful character that resonates with ensemble musicians. The medium-difficult level means your brass section can execute the composition fully without oversimplification, and the contest/festival designation confirms it holds up under the scrutiny of adjudicated performance.

What to expect

Ceremonial and purposeful, with the dignified character of a processional march yet informed by a contemporary sensibility about what military service means. The brass writing is full and sonorous, building from clear sectional ideas into moments of collective power while maintaining enough detail that every part feels essential.

Who it's for

Brass choirs and large brass ensembles at the high school, college, or community level who are looking for substantive contest or festival repertoire. The work demands musicianship across all sections but rewards disciplined groups with a piece that carries real musical and thematic integrity.

How to get the most out of it

  • Balance the five trumpet parts carefully in the upper register; the piccolo trumpet line especially needs definition without overpowering the harmonic foundation below it.
  • Use the march's structural clarity to your advantage in rehearsal. Identify the sections where full brass tutti occurs versus those featuring smaller groupings, and rehearse strategically by section before combining.
  • Shape the euphonium and tuba parts as a cohesive low brass unit; they anchor the harmonic progression and need rhythmic precision together, particularly in transitions between march sections.
  • Let the percussion part drive the pulse without rushing. A solid, grounded percussion foundation allows the upper brass to shine without compensating for timing instability.

How to use it

Program this as a contest centerpiece or festival selection where you want to demonstrate your brass section's technical command and ensemble discipline. It also works well in a concert program that honors military heritage or explores themes of service and peace; the thematic grounding makes it more than functional background music.

Skills your students will build

  • Balancing multiple trumpet lines in the upper register
  • Coordinate timing and articulation across five-part brass texture
  • Reading complex rhythmic figures in march style
  • Sustaining clear tone quality over longer phrases
  • Blend and intonation adjustment within large brass section

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