Fiddle & Song, Book 1 Cover Image

Fiddle & Song, Book 1: Violin Book & Online Audio/Software

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Fiddle & Song, Book 1 Cover Image

Fiddle & Song, Book 1: Violin Book & Online Audio/Software

A Sequenced Guide to American Fiddling

By Crystal Plohman Wiegman, Renata Bratt, and Bob Phillips

Level: Intermediate

Item: 00-45006

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Description
This collection of beloved standards from traditional American fiddling literature will introduce young players to an aspect of string playing that is motivational, fun, and pedagogically appropriate. Intended to be used in tandem with other string methods, Fiddle & Song is carefully sequenced in a step-by-step way to accompany beginning instruction. Singing the tune first provides a framework for the instrumental instruction. The left-hand pages of the book are for students. The right-hand pages have information for the teacher, parts for advanced students, and easy ensemble parts. Each tune includes melody, breaks, back-ups, kick-offs, tags, guitar chords, ensemble parts, and creative exploratory activities. Piano accompaniments are available.

The series works for like instrumentation or mixed instrumentation. The violin book is generally in the keys of A and D while the viola and cello/bass books are in the keys of D and G, a fifth lower. Innovative ensemble parts allow each instrument to accompany the others in mixed instrumentation, from duos up to string orchestra. Kick-offs can be used to transition to the new key if all strings are playing together. A Federation Festivals 2020-2024 selection.

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Sample Pages

Sample Audio
1 Kitty Cat Blues --:--
2 Old Joe Clark --:--

Kitty Cat Blues

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-3939-4
ISBN13: 978-1-4706-3939-6
UPC: 038081532486
SKU: 00-45006
Instrumentation: Violin

More about this title

About the Author: Crystal Plohman Wiegman

Crystal Plohman Wiegman

Crystal Plohman is a Canadian fiddling champion and Suzuki-trained violinist who has spent over 25 years mentoring young string players across multiple fiddling traditions. A top finalist in both the Canadian and American Grand Masters Championships, she moved to Nashville in 1994 to teach at Mark O'Connor's fiddle camp and later served as director of Vanderbilt's fiddling program and created the International Fiddle School. She has performed as a fiddle soloist with orchestras and chamber ensembles nationwide and shared stages with country music luminaries including Chet Atkins, Patty Loveless, and Vince Gill.

Plohman is best recognized for her educational work with students and teachers through her clinic program "Connecting the Strings," sponsored by Knilling String instruments. This initiative has reached hundreds of schools and educator conferences across North America. She currently serves as Senior Artist Teacher of Suzuki Violin and Fiddling at the Blair School of Music.

Why we love this

This collection bridges the pedagogical rigor of string methods with the infectious energy of traditional American fiddling, giving young players immediate access to repertoire that makes them want to practice. The step-by-step sequencing, dual-page format, and flexible ensemble parts allow teachers to integrate fiddle literature into existing curricula without overwhelming beginners. The inclusion of singing before instrumental learning taps into proven Suzuki principles while the creative exploratory activities keep students engaged beyond note-reading.

What to expect

Fiddle tunes carry the warmth and humor of American folk tradition; melodies that linger after one playing and harmonies that invite others to join in. These pieces capture the conversational, improvisatory spirit of fiddling while remaining accessible to young players, creating a sense of belonging to a larger musical tradition.

Who it's for

This book is designed for young violinists in the early-to-intermediate stages who benefit from traditional string method instruction but need exposure to fiddling styles and repertoire. Teachers using the Suzuki method or standard string curricula will find this a natural companion that extends students' musical vocabulary and motivation without requiring them to abandon their primary method.

How to get the most out of it

  • Sing the melody first as a group before assigning the fiddle part. This establishes the tune's character and phrasing and helps students internalize the shape of each piece rather than relying on reading alone.
  • Use the kick-offs indicated in the score when transitioning between keys or when moving all strings to play together in mixed instrumentation. This ensures smooth harmonic alignment across the ensemble.
  • Explore the breaks, back-ups, and tags provided in each tune. These traditional fiddling embellishments transform a simple melody into an authentic fiddle experience and develop students' ear for stylistic detail.
  • Assign creative exploratory activities to pairs or small groups. These encourage students to experiment with rhythm, phrasing, and ornamentation in ways that deepen their ownership of the repertoire.

How to use it

Introduce this material during the second year of instruction or whenever students have developed basic bow control and left-hand facility with scales in major keys. Weave tunes into regular rehearsals alongside required method books to refresh student motivation and give ensemble players experience with sectional ensemble parts that support mixed-string programming. The online audio and teacher resources make this ideal for independent practice reinforcement and for demonstrating authentic fiddle style to students unfamiliar with the genre.

Skills your students will build

  • Playing in keys of A and D with secure intonation
  • Recognizing and executing traditional fiddle ornaments (breaks, tags, back-ups)
  • Singing melodic material before translating it to the instrument
  • Reading ensemble parts and accompanying other instruments
  • Responding to harmonic kick-offs and transitions between key centers
  • Building stylistic awareness of traditional American fiddling conventions

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