Fiddle Folk Tunes Cover Image

Fiddle Folk Tunes: SoundTrax Digital Audio Download

$27.99 USD
Sale price  $27.99 USD Regular price 
Skip to product information
Fiddle Folk Tunes Cover Image

Fiddle Folk Tunes: SoundTrax Digital Audio Download

Skip to My Lou * Sourwood Mountain * Shady Grove * Cindy

Traditional Folk Songs / arr. Sally K. Albrecht

Item: 00-A-00014629

$27.99
Digital Download
Description

Fiddle Folk Tunes: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00014629

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht spent over thirty years shaping choral music publishing as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, including Alfred Music. Her output is remarkable: more than 600 choral works and 75 songbooks in print, complemented by consistent ASCAP Special Music Awards since 1987. She has guest conducted honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center, bringing her deep knowledge of what works in rehearsal to every piece she writes.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She taught music at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in North Carolina with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's arrangements of folk material feel lived-in rather than precious. She knows how to voice traditional tunes so they sit naturally in the choir, preserve their character, and still feel fresh. The recorded accompaniment gives you flexibility: use it for rehearsal learning or performance, depending on your program's needs and the voices you have in the room.

What to expect

These arrangements honor the simplicity and directness of folk idiom while revealing harmonic depth beneath the surface. Singers will feel grounded in material that's older than any of them, yet the voicing and accompaniment sounds contemporary and engaging.

Who it's for

Choirs of any level looking for repertoire that connects singers to traditional music without requiring a specialist's knowledge. The recorded accompaniment makes these pieces accessible whether you have a skilled accompanist available or not.

How to get the most out of it

  • Let the natural rhythm of the folk tune breathe. These arrangements don't need aggressive attacks; they settle into their groove when singers commit to a conversational tone.
  • The recorded accompaniment can serve different roles depending on your rehearsal phase. Early on, use it as a learning tool for harmonic tuning; closer to performance, it becomes a full ensemble partner that shapes the overall texture.
  • Balance the melody line so its contour is always clear, even when inner voices carry countermelody or rhythmic interest. Folk songs live in their singability.

How to use it

Include this in a folk-themed concert set, or program it as a standalone opener that establishes an approachable, audience-friendly mood. It works equally well as a building block in a longer concert or as a quick, rewarding addition when you need something students can learn and perform with confidence.

Skills your students will build

  • Sustaining legit tone while singing folk melody
  • Blending individual lines into unified harmonic texture
  • Coordinate ensemble entries with recorded accompaniment
  • Stylistic awareness of traditional melodic contour and phrasing
  • Ensemble balance with melody as the anchoring voice

You May Also Like