Fiat Lux (March) Cover Image

Fiat Lux (March): Concert Band Conductor Score

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Fiat Lux (March) Cover Image

Fiat Lux (March): Concert Band Conductor Score

By Howard Cable

Grade: 4

Item: 81-CB27114S

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Description
In 1951, during the war in Korea, Canada's National Defense Department produced a radio series titled "Voice of the Army". The Howard Cable Concert Band was the main stay of this patriotic/public relations program. Half the musical content was military, the balance 50's pop. Thirty nine programes required two marches per show. I composed eight and at the war's end the music went to storage. Some years later I re-constructed several of these forgotten scores; one of which is Fiat Lux - Dedicated to the University of Lethbridge.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 0
SKU: 81-CB27114S

More about this title

About the Composer: Howard Cable

Howard Cable was a Canadian composer and conductor who shaped the sound of Canadian military and broadcast music during the mid-20th century. His work with the Howard Cable Concert Band on the "Voice of the Army" radio series (1951-1953) brought accessible, engaging concert music to thousands of listeners during a pivotal moment in Canadian history.

Why we love this

Fiat Lux captures the confident, forward-moving energy of 1950s concert band writing without becoming overstuffed or pretentious. At Grade 4, it sits in that sweet spot where students can execute a fully realized march with genuine character, and conductors get a piece with real musical substance to shape and refine.

What to expect

Fiat Lux moves with the purposeful stride of a parade, but one with musical substance beneath the surface. The march convention carries you forward, yet the harmonies and phrasing reveal a composer who understood how to write idiomatically for band without sacrificing melody or craft.

Who it's for

Concert band directors building their repertoire with mid-century American and Canadian concert march literature. Students benefit from playing a piece with genuine historical roots and accessible but sophisticated voice leading.

How to get the most out of it

  • Establish a steady, confident tempo from the downbeat; this march thrives on rhythmic precision and forward momentum rather than dragging for effect.
  • Balance the melodic voices across sections so the main themes sing clearly above the harmonic foundation, particularly in key thematic statements.
  • Pay attention to dynamic contrast between sections; even in a march, variety in articulation and volume prevents the piece from feeling static.
  • Shape phrases toward their natural peaks rather than playing each measure at a uniform level; marches are vehicles for lyrical expression, not just rhythmic drill.

How to use it

Program this as the opening march on a concert showcasing your band's technical growth and musical maturity. Its accessible Grade 4 level makes it an ideal choice for mid-season programming or as a crowd-pleasing opener that demonstrates polish and control.

Skills your students will build

  • Precision in march rhythm and steady pulse maintenance
  • Blending articulation within sectional units
  • Phrasing across four-bar and eight-bar harmonic structures
  • Dynamic shaping and balance between melodic and supporting voices
  • Sight-reading in standard concert band voicing and ranges

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