Festive Proclamation: B-flat Trumpet 2 Sheet Music Preview

Festive Proclamation: B-flat Trumpet 2

By William Owens

Grade: 2.5

Item: 98-PC-DB1637_T2

Digital Download
$7.00
Description
Beautifully woven melodic lines, brilliant harmonic colors and engaging percussion parts are at the heart of this dynamic concert fanfare! Strategically written cues are designed not only to replace missing parts but to enhance ensemble tone if desired. A powerful opening statement quickly blossoms into an exciting up-tempo section that is sure to evoke a celebratory mood. A great way to announce the start of your concert!

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
SKU: 98-PC-DB1637_T2

More about this title

About the Composer: William Owens

William Owens

William Owens has built a distinguished career as both educator and composer, with deep roots in the young band field. A 1985 graduate of VanderCook College of Music, he spent three decades as a band director in Texas before retiring in 2014, bringing classroom experience directly into his compositional voice. His catalog exceeds 300 works for concert band, string orchestra, and chamber ensembles, many of which have become standard repertoire in school programs nationwide.

Owens' approach to composition reflects his practical understanding of what student musicians need to succeed. His works appear on contest lists across North America and have been featured in music education texts. Recognition from the American Bandmasters Association, Texas Bandmasters Association, and ASCAP reflects the impact of his contributions to the field. He holds memberships in TMEA, ATSSB, and Phi Beta Mu International Bandmasters Fraternity and maintains his home in Fort Worth, Texas.

Why we love this

Owens understands what a Grade 2.5 ensemble can actually accomplish, and he designs his fanfares to succeed without excess difficulty. The strategic part cues throughout the score solve real rehearsal problems by allowing missing players or inexperienced sections to stay secure in the texture, while simultaneously strengthening overall ensemble blend when everyone plays them. This piece opens strong and builds momentum, making it an ideal ceremonial opener that feels impressive without overshadowing the concert's main repertoire.

What to expect

A ceremonial trumpet call that blooms into energetic celebration. The harmonic palette is warm and accessible, the melodic lines soar without excessive range demands, and the overall effect is one of occasion and joy without pretension.

Who it's for

Conductors looking for a concert opener that announces occasion without demanding extensive rehearsal time. Grade 2.5 bands with secure rhythm sections and players ready to execute bright articulation and clean attacks.

How to get the most out of it

  • Balance the opening proclamation across the ensemble by having all players voice the initial statement, even those with cue parts, to establish a unified attack and full sonority.
  • Allow the tempo transition into the up-tempo section to feel organic rather than abrupt; guide the ensemble through the shift with a clear gesture rather than a hard stop.
  • Layer the percussion parts intentionally during rehearsal, adding instruments one at a time so students understand how each voice contributes to the celebratory texture.
  • Use the part cues not as a crutch but as a reinforcement tool; once passages are secure, have principal players carry the melody while cue holders listen and support the harmonic framework.

How to use it

Program this as your concert opener to set an immediate festive tone and signal that something important is about to unfold. Its relatively brief duration and celebratory character also make it well-suited for festival performances, awards ceremonies, or as a processional piece at the top of a concert program.

Skills your students will build

  • Clean articulation and unified ensemble attacks across sections
  • Reading and executing part cues while maintaining individual line security
  • Tempo transitions and maintaining rhythmic integrity during textural changes
  • Balancing melodic lines with harmonic support in a full ensemble texture
  • Percussion coordination with pitched instruments in a fanfare context

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