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Festival of Lights: Brass Choir Score & Parts

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Festival of Lights Cover Image

Festival of Lights: Brass Choir Score & Parts

By David Marlatt

Level: Medium-Difficult

Item: 81-BC2231

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Description
This energetic composition is the composer's way of paying homage to some of his favourite compositions and composers such as John Cheetham, John Barnes Chance and the great Alfred Reed. Short musical quotations and suggestive melodic or rhythmic passages are included in the framework of this piece. The majority of the material is original and the driving rhythms, soaring lyrical themes and jazz-like harmonies are all elements Mr. David Marlatt came to know and enjoy since he began playing in concert bands. It has been scored here for optional piccolo trumpet, 4 trumpets, 4 horns, 3 trombones, euphonium, 2 tubas and percussion.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-366-3
ISBN13: 978-1-55472-366-9
UPC: 685462000432
SKU: 81-BC2231
Instrumentation: 5.4.3.1.1.perc

More about this title

About the Composer: David Marlatt

David Marlatt is a composer and arranger whose work reflects a deep knowledge of the concert band and brass ensemble traditions. His compositions draw from the lineage of American wind music, absorbing influences from the masters while developing his own voice rooted in accessible, energetic writing.

Why we love this

Marlatt writes for brass choirs with real understanding of what makes the ensemble sing. The piece balances homage with originality, weaving subtle references into a freshly composed work that never feels derivative. It's the kind of writing that keeps players engaged because the musical architecture is sound and the themes genuinely soar.

What to expect

Bright and propulsive, with moments of genuine lyricism that cut through the energy. The piece has momentum and optimism, building from driving rhythmic sections into soaring melodic passages that feel earned rather than imposed.

Who it's for

Medium-difficult brass choirs looking for repertoire that challenges without requiring specialized virtuosity. This works equally well for high school ensembles with strong fundamentals, college brass choirs, and community groups seeking substantial concert or contest material.

How to get the most out of it

  • Establish the driving rhythms early in rehearsal. The energy comes from precise articulation in the section work, not from rushing the tempo.
  • Shape the lyrical themes with long-phrase thinking. These soaring passages need breath and weight, especially in the horn and trombone lines.
  • Let the jazz-influenced harmonies breathe. Avoid over-blending; clarity of individual voices within the chords will highlight Marlatt's harmonic colors.
  • Balance the optional piccolo trumpet carefully. When used, it should brighten the top without overwhelming the ensemble's blend.

How to use it

Reserve this for a full brass concert or as the centerpiece of a mixed program where you want to showcase your brass section's range. The energetic character and festival-ready scoring make it an excellent closer, though the lyrical middle section also serves well as a standalone moment in a longer program.

Skills your students will build

  • Jazz-inflected harmonic interpretation and voice-leading awareness
  • Sectional blend and balance within a larger ensemble structure
  • Shaping extended melodic lines with stylistic weight and direction
  • Synchronized rhythmic articulation across multiple brass sections

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