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Festival Gloria: SATB Choral Octavo

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Festival Gloria Cover Image

Festival Gloria: SATB Choral Octavo

Music by Sherri Porterfield

Item: 00-5765

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Description
This fresh, contemporary setting of the "Gloria" will bring out the best in your choir. It opens softly with a chant-like section and builds with big, full choral writing. Filled with energy and vitality. Sherri Porterfield's music is fast becoming a part of the concert repertoire and her FESTIVAL GLORIA is ideal for showing off your choir at contests, concerts and festivals. Also suitable for Christmas.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Festival Gloria: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081016283
SKU: 00-5765

More about this title

About the Composer: Sherri Porterfield

Sherri Porterfield

Sherri Porterfield directs choirs at Cedar Park Middle School in Cedar Park, Texas, and has shaped award-winning ensembles throughout her teaching career in Missouri, Kansas, and Texas. Her choirs have earned numerous first place and sweepstakes honors at competitions and performed at state music educators conventions. She has also served as an adjunct assistant professor of music education at the University of Missouri-Kansas City Conservatory of Music.

With over 175 published choral compositions to her name, Porterfield has established herself as a prolific voice in contemporary choral writing. Alfred Music Publishing and other major houses represent her catalog, and since 1997 she has received annual ASCAP awards recognizing her contributions as a composer. A native of Poplar Bluff, Missouri, she holds a B.S.E. in music education from the University of Memphis and a Master of Music in choral conducting from the University of Missouri-Kansas City. Her work as a clinician and guest conductor has brought her in contact with hundreds of students and teachers across the United States, and she has been recognized four times in Who's Who Among America's Teachers.

Why we love this

Porterfield's setting cuts through the familiar and gives you a structure that works for festival adjudication without sacrificing musical substance. The contrast between the opening chant texture and the full, energetic sections that follow gives your choir visible dramatic arcs to execute, which judges and audiences notice immediately.

What to expect

Festival Gloria opens in quiet restraint, the voices moving like plainchant before something vital breaks through and takes over the room. It has the feel of controlled release, where energy and joy build from a place of intention rather than mere noise.

Who it's for

This setting serves choirs preparing for competition and festival adjudication, as well as those building a mixed SATB repertoire for general concert programming. Directors working with high school or advanced middle school ensembles will find it offers showcase material with enough accessibility that it remains musically rewarding regardless of ensemble size.

How to get the most out of it

  • Shape the opening chant-like section with careful attention to text clarity and breath placement; let the silence between phrases speak as much as the singing does, then contrast sharply when the full choir writing enters.
  • Balance the buildup by thinking in waves rather than one continuous crescendo; this keeps the energy feeling purposeful rather than exhausting.
  • Lock the parts ensemble-wide during the big, full sections by having singers feel the pulse in their body rather than listening passively to their own line.

How to use it

Include this as a centerpiece in a concert featuring sacred or contemporary choral works, where its combination of reverence and exuberance will feel well-placed. It also works as a strong closer if you want to end on high energy and brightness, or as a contest selection where your choir can demonstrate both control and full-voiced singing.

Skills your students will build

  • Balancing soloistic chant texture with full harmonic voicing
  • Dynamic control across a wide range
  • Coordinating text clarity during buildup sections
  • Ensemble blend and part independence in SATB writing

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