Feerie for Solo Harp: Conductor Score & Parts

Feerie sits at the intersection of impressionist harmony and genuine harp technique, giving soloists a vehicle that sounds effortless when it's actually carefully crafted. The score respects both the instrument's lyrical voice and its capacity for shimmer and color. Programming this piece signals serious musical intent while remaining accessible to listeners unfamiliar with solo harp.

Feerie unfolds with the delicate shimmer of impressionist piano writing translated to the harp's natural idiom. The piece evokes a dreamlike quality, full of harmonic color and sparkling figurations, yet it maintains an elegant restraint throughout. There's a sense of lightness and magic in its title that the music delivers through crystalline texture and refined melodic gesture.

This work suits intermediate to advanced harp soloists preparing recital repertoire or competition programs. Music directors and concert programmers can feature this as a solo interlude in larger events, or as part of chamber programming that includes the harp in accompanying roles.

• Shape the melodic lines with consistent pedal changes that support harmonic color without muddying the texture; Tournier's harmonies shift frequently and deserve clarity.
• Balance technical figuration with the songlike quality of the main theme; ornamental passages should serve the music's emotional arc, not overshadow it.
• Let the acoustic sustain of the harp do the work rather than forcing projection; this piece relies on resonance and careful spacing of attacks.

Position Feerie as a solo feature in a mixed concert, perhaps following a larger ensemble work or as an intermezzo between more substantial pieces. It also works well in chamber programming where the harp takes a solo turn, or in an all-harp recital as a showcase for Tournier's command of the instrument.

• Pedal coordination and harmonic coloring specific to French impressionist writing
• Balancing ornamental figurations with lyrical melodic content
• Tone production and sustain on the concert grand harp
• Interpretation of early 20th-century solo harp repertoire