Feeling Good (arr. Alan Billingsley) Sheet Music Preview

Feeling Good (arr. Alan Billingsley): SATB Choral Octavo

As performed by Leslie Bricusse and Anthony Newley / Arranged by Alan Billingsley

Item: 35-DS00138652

Digital Download
$2.50
Description

Feeling Good (arr. Alan Billingsley): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00138652

More about this title

About the Artist: Leslie Bricusse and Anthony Newley

Leslie Bricusse and Anthony Newley wrote "Feeling Good" for the 1964 musical "The Roar of the Greasepaint, the Smell of the Crowd," a collaboration that showcased their gift for crafting songs with both theatrical punch and genuine emotional depth. Bricusse's lyrical sensibility paired with Newley's melodic invention produced standards that have endured across decades and genres, from pop to jazz to choral settings. Their work remains a cornerstone of contemporary musical theater repertoire and continues to inspire arrangers and performers seeking material with genuine substance.

Newley, a British actor, composer, and performer, brought a cinematic sensibility to his songwriting, while Bricusse contributed witty, poignant lyrics that elevated simple premises into memorable experiences. Together they created songs that work equally well in intimate settings and on grand stages, a rare quality that explains why their catalog remains so frequently performed and re-imagined by musicians across all levels.

Why we love this

Alan Billingsley's arrangement captures the song's essential optimism while giving each voice section genuine musical material to sing. The orchestration translates beautifully to four-part harmony without losing the sophistication that makes the tune worth programming at the concert level.

What to expect

Warmth mixed with stride, like stepping into bright sunlight after months of gray. The harmony radiates optimism without saccharine sweetness, and the familiar melody sits perfectly in the range where voices resonate most freely.

Who it's for

Strong intermediate to advanced choirs looking for contemporary concert material with mass appeal and solid pedagogical content. This arrangement works equally well for show choirs, concert choirs, and community ensembles seeking a crowd-pleasing selection with real musical substance.

How to get the most out of it

  • Balance the melody line carefully during unison passages so the harmonic support underneath remains present and audible rather than drowning.
  • Treat the rhythmic syncopations with precision; even slight sloppiness will undermine the jazzy character that distinguishes this from a standard pop arrangement.
  • Anchor the lower voices (tenor and bass) with steady, confident support so sopranos and altos can float freely above them during the most lyrical moments.

How to use it

Pair this with other standards or light concert selections to create a set that appeals to broad audiences while maintaining artistic credibility. The 10-page length makes it manageable for mid-season programming, and its inherent familiarity means audiences feel immediately connected to your choir's sound.

Skills your students will build

  • Jazz harmony and extended chord progressions
  • Syncopated rhythmic precision in ensemble context
  • Stylistic interpretation of pop and jazz idioms
  • Balancing melodic prominence with harmonic independence
  • Singing with rhythmic confidence in a contemporary pop style

You May Also Like