Feel It Still Sheet Music Preview

Feel It Still: SAB Choral Octavo

As performed by Brian Holland / As performed by Freddie Gorman / As performed by Robert Bateman / As performed by Georgia Dobbins / As performed by William Garrett / As performed by John Hill / As performed by Portugal. The Man / Arranged by Mark Brymer

Item: 35-DS00404426

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00404426

More about this title

About the Artist: Brian Holland

Brian Holland is a legendary songwriter and producer who helped define the Motown sound in the 1960s. As a key member of Holland-Dozier-Holland, one of the most prolific songwriting teams in popular music history, he crafted hits for The Supremes, The Four Tops, Marvin Gaye, and countless other artists who shaped soul and R&B.

Holland's understanding of melody, rhythm, and vocal arrangement set the standard for generations of musicians. His influence extends far beyond the era in which he worked, making his compositions enduring choices for choral directors seeking material with genuine harmonic sophistication and emotional depth.

Why we love this

Mark Brymer has unlocked the groove and energy of this modern pop earworm for SAB singers without sacrificing the melodic hooks that make it so infectious. The arrangement respects the original's funk foundation while creating genuine three-part writing that keeps every voice engaged and musical, making it equally appealing for concert programming or pops shows.

What to expect

Propulsive funk grooves collide with pop sensibility, creating an arrangement that bounces with energy while maintaining clear, singable harmony. The piece exudes confidence and joy, inviting singers to embrace a modern sound without losing vocal elegance.

Who it's for

This arrangement works for choirs that want to program contemporary pop music with legitimate musical substance. It's ideal for groups confident in their rhythmic flexibility and looking to connect with audiences through recognizable, engaging material.

How to get the most out of it

  • Nail the rhythm section first. The pocket is everything here; lock the altos and baritones into a steady, syncopated groove before layering the soprano melody line on top.
  • Avoid over-singing the verses. The arrangement thrives on a conversational, laid-back delivery in the opening sections, which creates contrast when the full harmonic texture arrives.
  • Keep the percussive elements (snaps, claps, or body percussion) tight and synchronized. They anchor the arrangement's funkiness and need precision to sit properly in the mix.

How to use it

Pair this with other contemporary hits to build a relevant pops concert that speaks to audiences of all ages. It also works beautifully as a concert finale, where its infectious rhythm and familiar melody provide a satisfying, crowd-pleasing conclusion.

Skills your students will build

  • Maintaining rhythmic precision in syncopated pop and funk styles
  • Balancing contemporary melodic phrasing with classical vocal technique
  • Reading and performing three-part mixed voicing with independent rhythmic lines
  • Executing rhythmic precision in syncopated passages while sustaining vocal tone

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