Feel It Still Sheet Music Preview

Feel It Still: SATB Choral Octavo

As performed by Brian Holland / As performed by Freddie Gorman / As performed by Georgia Dobbins / As performed by John Hill / As performed by Portugal. The Man / Arranged by Mark Brymer

Item: 35-DS00404424

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00404424

More about this title

About the Artist: Brian Holland

Brian Holland is a legendary figure in American popular music, having co-written and produced some of the most enduring hits of the 1960s. Working with the songwriting and production team at Motown Records, Holland helped shape the sound of an era, crafting songs that became standards across multiple genres and generations. His contributions to music history extend far beyond a single style, demonstrating the kind of melodic and rhythmic sophistication that translates powerfully into educational choral settings.

Why we love this

Mark Brymer's arrangement captures the infectious energy of this modern pop hit while building something genuinely singable across all four voices. The 14-page layout suggests substantial melodic material rather than repetitive looping, giving singers real content to own. Programming a contemporary song this well-crafted signals to students that choral music lives in their actual musical world.

What to expect

Energetic and optimistic, with the kind of propulsive momentum that makes audiences sit up and listen. The arrangement balances the original song's infectious confidence with choral texture, creating something that feels both familiar and freshly voiced.

Who it's for

Choirs seeking contemporary repertoire that doesn't sound dated or overly simplified. The SATB voicing works for most high school and college ensembles, and the digital format means quick access for groups building fall or spring pop concerts.

How to get the most out of it

  • Keep the pulse propulsive without rushing. The groove matters more than precision, so lock in the rhythmic pocket early in rehearsal and let the ensemble feel the forward motion together.
  • Balance the SATB texture so no single line dominates the hook. This arrangement likely distributes the memorable melodic moments across voices, so circle where each section carries the song's identity.
  • Lean into the rhythmic syncopation and contemporary phrasing. Straight, formal diction will kill the song's personality; invite singers to find the slight push and pull that makes pop music breathe.

How to use it

Slot this into a pop or contemporary music concert where you want something with genuine melodic substance and student appeal. It also works as a palate cleanser between heavier classical or jazz selections, and the accessible modern style makes it ideal for community outreach performances or spring shows aimed at building attendance.

Skills your students will build

  • Rhythmic syncopation and contemporary phrasing conventions
  • Balancing melodic material across SATB voices
  • Maintaining ensemble groove and forward momentum in non-classical contexts
  • Connecting with audience through modern musical idiom

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