Favorite Classics: Solo, Book 1 Cover Image

Favorite Classics: Solo, Book 1: Piano Book

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Favorite Classics: Solo, Book 1 Cover Image

Favorite Classics: Solo, Book 1: Piano Book

Ed. E. L. Lancaster and Kenon D. Renfrow

Level: Early Intermediate / Intermediate

Item: 00-6023

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Description
For early intermediate through late intermediate students, these books contain a variety of favorite pieces from the four stylistic periods of piano repertoire, with skillfully composed second keyboard parts for teacher/parent or more advanced student.

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Additional Details
Series: Favorite Classics
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-0381-X
ISBN13: 978-0-7390-0381-7
UPC: 038081020815
SKU: 00-6023

More about this title

Why we love this

The second keyboard part transforms what could be a solitary practice experience into genuine musical collaboration, giving students the confidence that comes from playing alongside a partner. You get genuine repertoire from across the stylistic periods rather than pieces written down to a level, which means students experience the actual harmonic language and structure composers intended.

What to expect

Each page opens a different era of keyboard writing. You'll encounter the clear textures and contrapuntal clarity of the Baroque alongside the lyrical singing lines of the Romantic period, with Classical proportion and modern sensibilities represented throughout. The accompaniment parts create richness and resonance that makes even early intermediate melodies sound substantial.

Who it's for

Early intermediate through late intermediate piano students ready to explore repertoire beyond method books and method-book arrangements. This collection works well for students who thrive with collaborative playing or who benefit from hearing a full harmonic context while developing their own line.

How to get the most out of it

  • Use the teacher/parent part to shape phrasing and tempo as you rehearse. Listen carefully to how the accompaniment breathes so your solo line sits naturally within the larger musical texture.
  • Practice the solo part alone first to build security, then gradually integrate the accompaniment until the two parts feel balanced and interdependent rather than solo-driven.
  • Pay attention to stylistic differences across the four periods represented. Baroque phrasing differs markedly from Romantic interpretation, so let the accompaniment guide you toward the appropriate character for each piece.

How to use it

Choose pieces from this collection for student recitals where you (or an advanced student) can accompany, turning a solo performance into a chamber moment. Mix selections across the stylistic periods to create a mini-survey of keyboard literature for a single student's recital arc, or extract individual pieces for lesson showcases and informal performances throughout the year.

Skills your students will build

  • Listening to and balancing with an accompaniment part
  • Understanding harmonic context and its role in shaping melodic interpretation
  • Stylistic differentiation between Baroque, Classical, Romantic, and contemporary repertoire
  • Musical independence while maintaining ensemble awareness
  • Reading and performing from a single melodic line within a larger musical texture

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