Farewell, Lad (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 1 Cover Image

Farewell, Lad (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 1: SoundTrax Digital Audio Download

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Farewell, Lad (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 1 Cover Image

Farewell, Lad (Medium Low Voice), from Folk Songs for Solo Singers, Vol. 1: SoundTrax Digital Audio Download

11 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

O'Neill

Item: 00-A-00015879

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015879

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His eight-year tenure as a rights and licenses administrator at a major educational music publisher gave him deep insight into how music reaches classrooms and concert halls; during that period, he served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has over 800 choral works in print and enjoys widespread performance across the English-speaking world. He holds ASCAP membership and is a regular recipient of the ASCAP Special Award. Beyond composition, he has compiled and arranged highly regarded vocal solo collections, co-written children's musicals with Sally K. Albrecht, authored classroom resources including Ready to Read Music and One-Page Composer Bios, and served on the board of the North Carolina Master Chorale. He currently sits on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse's gift for arranging folk material shines here, capturing the character of the song without overshadowing the storytelling that makes folk songs resonate. The medium-low voice arrangement fits that particular voice type comfortably, and the SoundTrax accompaniment gives singers a reliable partner for practice and performance without the need for a live accompanist.

What to expect

Farewell, Lad carries the quiet resignation and dignity of traditional folk storytelling. The melody settles naturally in the lower register, allowing the lyrics to land with clarity and emotional weight. There's an intimacy to singing this song; it invites the listener in rather than demanding a grand gesture.

Who it's for

Solo singers with lower voice ranges who need performance-ready folk arrangements. Students preparing for recitals, competitions, or community performances will find both the melody and the accompaniment support they need. Teachers working with singers who want to build a diverse recital repertoire of accessible, culturally rooted material will value having this in medium-low voice.

How to get the most out of it

  • Let the narrative drive your phrasing. Folk songs live in their lyrics, so shape each phrase around the emotional arc of the text rather than strict metric regularity.
  • Use the accompaniment track during early rehearsals to anchor your sense of tempo and harmonic support, then step away periodically to build independence and confidence in the melody.
  • Pay attention to vowel consistency across the range of this key. Medium-low voices often navigate a wide tessitura, and vowel modification will keep the tone integrated from top to bottom.
  • Practice without the track to develop awareness of your own natural pacing and breathing; this builds the flexibility needed to interpret the song freshly each time you perform it.

How to use it

This works beautifully as part of a recital devoted to folk songs or ballads, where it can sit alongside art songs and other traditional material. It also suits community performances, informal concert settings, or cultural programs focused on folk heritage. The SoundTrax accompaniment makes it practical for solo singers who perform regularly but may not always have access to a rehearsal pianist.

Skills your students will build

  • Storytelling through melodic phrasing and text interpretation
  • Singing with consistent tone quality across a lower vocal range
  • Working effectively with a recorded accompaniment in practice and performance
  • Understanding folk song style and authentic delivery of traditional material

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