Farewell, Lad (High Voice), from Folk Songs for Solo Singers, Vol. 1 Cover Image

Farewell, Lad (High Voice), from Folk Songs for Solo Singers, Vol. 1: SoundTrax Digital Audio Download

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Farewell, Lad (High Voice), from Folk Songs for Solo Singers, Vol. 1 Cover Image

Farewell, Lad (High Voice), from Folk Songs for Solo Singers, Vol. 1: SoundTrax Digital Audio Download

11 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

O'Neill

Item: 00-A-00015857

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015857

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career in music spans composition, publishing administration, and music education; he served eight years as a rights and licenses administrator for a major educational publisher and held a position on the Executive Board of the Music Publishers Association of America.

Althouse has composed over 800 choral works performed internationally and holds membership in ASCAP, where he is a regular recipient of the Special Award. Beyond composition, he has compiled and arranged vocal solo collections, co-authored instructional books including The Complete Choral Warm-up Book and Accent on Composers, and contributed articles to the Folk Art Messenger. His collaborative work with his wife Sally K. Albrecht includes children's musicals and I Hear America Singing, performed at President Obama's 2009 Inauguration by the San Francisco Girls and Boys Choirs.

Why we love this

Althouse's arrangement captures the essence of traditional folk material while crafting a vocal line that sits naturally in the high voice range. This piece offers the authenticity of folk idiom without requiring specialized musical knowledge, making it equally valuable in recital settings, competitions, or choral concert programming when you need a solo spotlight.

What to expect

Folk melodies carry the weight of human experience, and this setting honors that. The piece unfolds with the simplicity and dignity of a well-told story, inviting listeners to connect with a tradition larger than themselves while remaining deeply personal in its emotional landscape.

Who it's for

This arrangement suits high voice soloists preparing recital repertoire, audition materials, or competition selections. It works equally well for singers in advanced high school choirs building confidence with solo literature and for community singers exploring folk traditions in intimate performance settings.

How to get the most out of it

  • Explore the natural phrasing of the folk melody before diving into vocal technique; these songs reveal their character through storytelling, not embellishment.
  • Use the SoundTrax accompaniment to establish tempo and harmonic context, then practice pulling slightly away from it during emotional peaks to shape the narrative arc.
  • Pay attention to the high voice tessitura; locate any moments where the melody climbs and plan your breath support accordingly to sustain those passages without strain.

How to use it

Open a solo recital with this piece to establish an intimate connection with your audience, or place it alongside other folk arrangements to create a thematic set. It also serves well as a concert feature within a larger choral program, allowing a featured soloist a moment to step forward while maintaining the folk aesthetic the ensemble may be exploring.

Skills your students will build

  • Singing authentic folk melody with historical awareness
  • Sustaining long-line phrasing in elevated tessitura
  • Interpreting text within a narrative folk context
  • Navigating the SoundTrax accompaniment with independence and musicality

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