Farandole from <i>L'Arlésienne Suite No. 2</i> Cover Image

Farandole from <i>L'Arlésienne Suite No. 2</i>: Brass Choir Conductor Score

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Farandole from <i>L'Arlésienne Suite No. 2</i> Cover Image

Farandole from L'Arlésienne Suite No. 2: Brass Choir Conductor Score

For Brass Choir

By Georges Bizet / arr. Evan VanDoren

Grade: 4

Item: 98-RWS205401

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Description
Bring on the big brass sound! Like the dance of the same name, Farandole is upbeat, high energy, and best done with friends. Your brass choir performance will feature every instrument as melodies are passed from section to section. A musical challenge for advanced players while still technically accessible for high school groups.

Original Item#: RWS-2054-01

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Additional Details
Series: RWS - Festival Ensemble
Publisher: RWS Music Company
ISBN10: 1-4706-9763-7
ISBN13: 978-1-4706-9763-1
UPC: 038081613482
SKU: 98-RWS205401

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) composed some of the 19th century's most visceral and dramatically urgent music. His orchestral suites, drawn from his stage works, capture the vivid character and local color of their settings with remarkable economy and brilliance. Bizet's gift for memorable melody and orchestral color made his music immediately accessible to performers and audiences alike, ensuring its place in concert repertoires worldwide.

Bizet's career was marked by theatrical innovation and an acute ear for instrumental sonority. Though he died at 36, his legacy rests on works of genuine substance: operas that still grip audiences, ballets that dancers crave, and orchestral suites that conductors return to across centuries and across ensembles, from full orchestra to brass choir.

Why we love this

Farandole is a masterclass in sectional writing that keeps every player engaged and accountable. The arrangement respects Bizet's orchestral colors while translating them idiomatically for brass, so the melodies land with punch and clarity as they migrate from trumpets to trombones to low brass. Your audience will hear a piece they recognize, and your brass players will experience what it means to carry a genuinely famous tune.

What to expect

Farandole captures the breathless rush of a Provençal street celebration: spirited, joyful, relentless in its forward motion. The melody dances from one brass section to the next with infectious optimism, and the cumulative energy builds as more voices join the fray. It's the sound of a party in full swing.

Who it's for

Advanced high school brass choirs and college ensembles looking for a showstopper with real musical substance. This grade 4 work demands solid fundamentals and sectional independence, but it rewards those demands with a piece that audiences love and players feel genuinely proud to perform.

How to get the most out of it

  • Treat the melodic exchanges as a genuine conversation between sections. Each handoff should arrive with fresh energy rather than mechanically. Mark where ownership of the line shifts so every player knows when they're featured and when they're supporting.
  • Lock the rhythmic foundation in rehearsal by isolating the low brass and tuba parts first. Once that pulse is rock-solid, the upper voices can float their melodies over a secure harmonic bed.
  • Balance the brass sonority so no one section overwhelms the melody carrier. A common trap is letting the full brass choir play too loudly when accompanying. Dynamics matter enormously in a piece this driven.
  • Nail the articulation style early. Farandole thrives on clean, rhythmic tonguing that propels the dance character forward without sounding aggressive.

How to use it

This belongs in a concert slot where you need immediate audience engagement and a sure crowd-pleaser. Program it mid-concert to shift the energy after a slower work, or save it as a finale if your brass choir's stamina supports the high energy throughout. It pairs beautifully alongside other French masterwork arrangements or as a counterweight to more austere contemporary brass music.

Skills your students will build

  • Transferring melodic focus cleanly between instrument sections
  • Playing with rhythmic precision in a driving, dance-based tempo
  • Balancing individual voice prominence within a full brass sonority
  • Articulation control for clarity and stylistic authenticity
  • Ensemble cohesion across distinct brass choirs working as one unit

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