Fantasy Variations (on George Gershwin's Prelude II for Piano) Cover Image

Fantasy Variations (on George Gershwin's Prelude II for Piano): Concert Band Conductor Score

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Fantasy Variations (on George Gershwin's Prelude II for Piano) Cover Image

Fantasy Variations (on George Gershwin's Prelude II for Piano): Concert Band Conductor Score

By George Gershwin / scored for wind band by Donald Grantham

Grade: 5 (Medium Advanced)

Item: 00-DH9902C

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Description
Gershwin's Prelude II for piano is the second in a set of three preludes composed in 1936. In Donald Grantham's uniquely original composition, Fantasy Variations, both of the "big" tunes in the piece are fully exploited, but they do not appear in recognizable form until near the end. The work begins with much more obscure fragments drawn from the introduction, accompanimental figures, transitions, cadences and so forth. These eventually give way to more familiar motives derived from the themes themselves. All of these elements are gradually assembled over the last half of the piece until the themes finally appear in more or less their original form.

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Additional Details
Series: Donald Hunsberger Wind Library
Publisher: Alfred Music
Page Count: 68
ISBN10: 0-7692-8665-8
ISBN13: 978-0-7692-8665-5
UPC: 029156994346
SKU: 00-DH9902C

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) revolutionized American concert music by weaving jazz idioms, popular song, and classical forms into works that spoke to broad audiences. His three Preludes for solo piano, written in 1936, distill his harmonic language and rhythmic sophistication into compact, highly singable structures that have inspired countless arrangements and variations.

Why we love this

Donald Grantham's arrangement captures the architectural brilliance of Gershwin's material by fragmenting and reassembling it across the band palette. Rather than simply orchestrating the piano work, Grantham builds suspense through a narrative arc that rewards attentive listening, revealing themes gradually until the full melodies emerge in their recognizable glory. This approach keeps rehearsals intellectually engaging and gives the ensemble a genuine compositional experience to unpack.

What to expect

The piece unfolds like a musical mystery, beginning with fragmentary impressions and gradual clarification. There's an intellectual elegance to the way Grantham disperses Gershwin's harmonic language across the ensemble, creating moments of striking beauty before arriving at the familiar melodies with newfound resonance.

Who it's for

Concert bands at the advanced high school or college level seeking repertoire that balances technical proficiency with genuine musical substance. This work rewards ensembles with secure section leadership and players willing to listen across the band while maintaining independent lines.

How to get the most out of it

  • Establish the linear independence of each section during the opening fragments; clarity matters far more than blend when audiences need to follow emerging motives across the band.
  • Track the gradual layering of accompaniment figures in the second half of the piece and resist the temptation to bring all textures to equal dynamic prominence until the major thematic material arrives.
  • Identify the moment each full theme enters and prepare the ensemble for the tonal and harmonic shift that comes with its appearance; Grantham signals these arrivals through orchestral rebalancing, not just volume changes.

How to use it

Program this as a centerpiece in a concert exploring American concert music or Gershwin's influence on wind band literature. Its medium-advanced difficulty and 68-page score position it ideally mid-program, where the audience can settle in for the work's unfolding narrative.

Skills your students will build

  • Following thematic material across instrumental families
  • Understanding compositional variation and development techniques
  • Balancing transparency with ensemble cohesion in polyphonic texture
  • Interpreting harmonic language derived from jazz and popular music idioms
  • Sustained concentration through a large-scale structural arc

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