Fantasy from <I>Ladies in Lavender</I> Cover Image

Fantasy from <I>Ladies in Lavender</I>: Violin Score & Part

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Fantasy from <I>Ladies in Lavender</I> Cover Image

Fantasy from Ladies in Lavender: Violin Score & Part

By Nigel Hess

Level: Intermediate / Advanced

Item: 12-0571537316

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Description
"Fantasy" for violin and piano was originally written for the final scene of the feature film Ladies in Lavender in which two Cornish sisters (Dames Judi Dench and Maggie Smith) attend a London premiere of a young virtuoso violinist (Daniel Bruhl) who they have been nurturing back to health after a tragic accident at sea.


Although the piece was supposedly composed by the fictional Boris Danilov, the job of creating an authentic period piece of dazzling violin music fell to the film's composer, Nigel Hess, who utilized the main theme of the film, transforming the romantic major theme into an extended, bravura minor variation full of dramatic intensity and longing. It has now become a popular piece in its own right, establishing itself (not unlike the Warsaw Concerto before it) as an audience favorite in the concert repertoire.


The piece was performed on the film soundtrack by Joshua Bell with the Royal Philharmonic Orchestra, conducted by the composer.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-53731-6
ISBN13: 978-0-571-53731-0
UPC: 9780571537310
SKU: 12-0571537316

More about this title

About the Composer: Nigel Hess

Nigel Hess is a British composer with deep roots in film and television scoring, known for his ability to craft music that serves narrative while standing on its own merits. His work spans orchestral film scores, operatic compositions, and concert pieces; he has scored numerous British television dramas and feature films, bringing a classical sensibility to contemporary storytelling.

Why we love this

Hess transforms a film moment into genuine concert repertoire by taking the movie's thematic material and reimagining it as a virtuosic solo vehicle. The piece balances immediate accessibility with real technical demands, giving intermediate-advanced violinists a work that impresses audiences without requiring superhuman athleticism.

What to expect

Romantic and yearning, with an undercurrent of dramatic urgency. The music evokes longing and emotional recovery, unfolding from reflective vulnerability into passionate intensity, all while maintaining the elegance of a period-appropriate concert work.

Who it's for

Violinists at the intermediate-advanced level who are ready for a piece that demands technical facility but rewards it with immediate musical payoff. Solo performers seeking concert repertoire that brings narrative depth and film recognition without becoming a crowd-pleaser cliché will find the authentic craftsmanship here.

How to get the most out of it

  • Study the Joshua Bell recording with the Royal Philharmonic Orchestra to hear how the orchestral voicing supports the solo line; even though you're performing with piano, understanding the fuller texture informs phrasing and dynamic shape.
  • Shape the minor-key transformation of the main theme with deliberate harmonic weight. The shift from major to minor carries emotional significance, so let the piano's accompaniment anchor this character change rather than rushing past it.
  • Balance virtuosic passage work with the underlying lyricism. This isn't a showpiece that discards melody for technical display; the bravura sections should feel like an extension of the romantic material, not a departure from it.
  • Work closely with your pianist on the dramatic intensity of the accompaniment, particularly in the climactic sections where the role of the orchestra translates into active, driving figures rather than simple support.

How to use it

Position this as a solo feature that bridges classical and contemporary audiences, particularly valuable for galas or pops concerts where recognizable film music draws new listeners. It also works beautifully as a recital centerpiece, offering a substantial showcase for an advancing violinist without the demands of a full concerto.

Skills your students will build

  • Extended lyrical phrasing across wide intervallic ranges
  • Navigating dramatic shifts between lyrical and virtuosic material
  • Sustaining emotional intention through rapid passage work
  • Collaborative balance with piano accompaniment in complex harmonic contexts
  • Interpretation of minor-key thematic development and emotional transformation

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