Fantasy: Jazz Ensemble Conductor Score & Parts
By Maurice White / By Eddie Del Barrio / By Verdine White / As performed by Earth, Wind Fire / Arranged by Mark Taylor
Grade: 4
Item: 35-PK00157887
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Fantasy - Conductor Score (Full Score) | $7.50 | |
| Fantasy - Alto Sax | $6.00 | |
| Fantasy - Tenor Sax | $6.00 | |
| Fantasy - Baritone Sax | $6.00 | |
| Fantasy - Trumpet 1 | $6.00 | |
| Fantasy - Trumpet 2 | $6.00 | |
| Fantasy - Trombone | $6.00 | |
| Fantasy - Guitar | $6.00 | |
| Fantasy - Piano | $6.00 | |
| Fantasy - Bass | $6.00 | |
| Fantasy - Drums | $6.00 | |
| Fantasy - Solo Sheet | $6.00 | |
| Fantasy - Alternate Alto Sax | $6.00 | |
| Fantasy - Alternate Tenor Sax | $6.00 | |
| Fantasy - Alternate Trombone | $6.00 |
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Description
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More about this title
About the Composer: Maurice White
Maurice White founded Earth, Wind & Fire in 1969 and served as the ensemble's primary composer, bandleader, and creative visionary. His ability to fuse funk, soul, jazz, and world music into cohesive arrangements made him one of the most influential musicians of the 1970s and 1980s. White's compositional approach emphasizes strong melodic hooks, rhythmic sophistication, and instrumental independence, principles that translate powerfully to educational settings.
Why we love this
Mark Taylor's arrangement captures the infectious groove and horn interplay that made Earth, Wind & Fire legendary, but scales it intelligently for student ensembles. The featured voices (tenor, trombone, and baritone sax) each get memorable material that keeps every section engaged, and the tenor solo provides a natural showcase moment without overwhelming less advanced players.
What to expect
Uplifting, propulsive, and endlessly groovy. The arrangement radiates the confidence and joy that defined Earth, Wind & Fire's music, with horn lines that interlock like a well-oiled machine and rhythmic energy that builds momentum from the first measure.
Who it's for
Jazz ensembles at the intermediate level who want repertoire that sounds polished and professional without requiring virtuosic technique. This works equally well for groups just discovering funk and soul music as it does for bands looking to add a contemporary hit to their concert rotation.
How to get the most out of it
- Lock the baritone sax line first. That funky ostinato is the rhythmic anchor; once it's solid, the tenor and trombone melody sits cleanly on top.
- Bring out the tenor saxophone solo as a genuine feature, not background accompaniment. Give that performer room to breathe and interpret.
- Let the rhythm section breathe with the pocket rather than rushing. Grade 4 ensembles often tighten the groove when they should sink into it.
How to use it
Pair this with other soul and funk repertoire to create a thematic set that celebrates groove-based composition, or use it as a contrasting contemporary piece in a concert mixing jazz standards with modern hits. It also serves as an excellent vehicle for teaching young players what professional funk writing sounds like on paper and in the air.
Skills your students will build
- Articulation and phrasing in funk and soul styles
- Balancing ensemble sound when multiple horns share melodic material
- Reading and executing syncopated rhythmic figures
- Understanding groove as a foundational concept in jazz and popular music
- Solo preparation and performance in a small group setting