Fantastic Fingers, Book 5: Late Intermediate Piano Book

Goldston knows exactly what late intermediate pianists need: pieces that respect their growing technical sophistication without abandoning the joy that drew them to music in the first place. The variety here is genuine. Moving from the rhythmic complexity of 7/8 meter in Ritual Dance to the harmonic richness of Longing, students encounter real musical challenges wrapped in compelling styles that make them want to practice.

Goldston's voice is immediately recognizable. You'll hear the energy of a folk ritual transformed through modern harmony, the quiet yearning of a piece called Longing that lives up to its name, and the sweep of Spanish-influenced imagery in Memories of Seville. Each piece has its own emotional center while maintaining an accessible, engaging sound.

Late intermediate pianists ready to tackle mixed meters and more sophisticated harmonies. These six pieces work well for students who have solid technical foundations and are developing interpretive independence.

• Establish the pulse firmly in Ritual Dance before layering in the melodic line. The 7/8 meter feels unstable until the beat settles, so lock it down in your own body first.
• Pedal sparingly in Longing to let the lush harmonies breathe without blurring. Change with the harmonic rhythm rather than instinct.
• Shape the heroic quality of A Hero Victorious by emphasizing the contours of the melody; let dynamic contrast do the heavy lifting rather than rushing the tempo.

String these across a studio recital or student showcase to demonstrate range and growth. A Hero Victorious makes a strong solo moment; Memories of Seville pairs naturally with other world-influenced pieces if you're building a thematic concert. The collection also works as a bridge repertoire set for advancing students between intermediate and advanced levels.

• Reading and performing music in 7/8 meter
• Executing complex rhythmic figures with clear articulation
• Interpreting extended harmonic language
• Pedaling with sensitivity to harmonic change rather than phrase length
• Shaping melody through dynamic and agogic control