Fantasia on Scarborough Fair Cover Image

Fantasia on Scarborough Fair: String Orchestra Conductor Score

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Fantasia on Scarborough Fair Cover Image

Fantasia on Scarborough Fair: String Orchestra Conductor Score

Arr. Loreta Fin

Grade: 2-2.5

Item: 76-32796S

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Description
Legato bowing, dotted rhythms and ties are explored in a delightful arrangement of this popular old folk melody. Bow direction needs to be uniform in the upper strings and the 1st violin and cello entries which occur after the dotted crotchet notes or rests must be counted carefully. Dynamics should be well observed throughout the piece.

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Additional Details
Series: Wilfin String Orchestra: Young String Ensemble Series
Publisher: Wilfin Music
Page Count: 8
UPC: 038081357027
SKU: 76-32796S

More about this title

About the Arranger: Loreta Fin

Loreta Fin

Loreta Fin AM is an accomplished violinist and educator based in Australia who studied at the Sydney Conservatorium of Music and performed as a first violinist with the Sydney Youth Orchestra. She has spent over 25 years as Principal Viola player with the Queensland Pops Orchestra while maintaining an active chamber and orchestral performance schedule, sharing the stage with world-class artists across multiple continents.

Fin has directed the strings program at Somerville House School in Brisbane since 1993 and has built a distinguished career in music education and advocacy. She has presented at Australian National Music Conferences and two American National String Teachers' Conferences, adjudicated major competitions throughout Australia, and served as State and National President of the Australian Strings Association. Her compositional output exceeds 100 published works for string orchestra, distributed worldwide by Alfred Music. Recognized for her contributions to music education, Fin received the Queensland State Award for Services to AUSTA in 2009, conducted the Miri Music Project in Malaysia in 2018 and 2019, and was honored with the National Award for Services to Music and String Teaching in Australia. She currently serves as State Advisor for Strings with the Australian Music Examinations Board and regularly conducts State and National Honours Ensembles Programs.

Why we love this

Fin's arrangement respects the elegance of this folk melody while providing genuine technical development for young orchestras. The focused challenges (uniform bow direction in upper strings, careful counting around rest entries, and deliberate dynamic shaping) give your ensemble concrete work without overwhelming them, and the eight-page length makes it programmable without consuming an entire rehearsal block.

What to expect

Scarborough Fair emerges with gentle, singing warmth across the ensemble, supported by sustained harmonies and shaped by careful dynamic contours. The familiar melody feels both intimate and full when all voices work together with unified bowing and disciplined rhythmic entrances.

Who it's for

Young string orchestras at grades 2 to 2.5 who are ready to refine legato technique and manage moderate rhythmic complexity. This score serves conductors working with developing ensembles that benefit from clear technical targets and a familiar melodic anchor.

How to get the most out of it

  • Establish bow direction patterns in your upper strings during early rehearsals; mark bowing consistently in all first violin parts and discuss the visual uniformity you're aiming for with your players.
  • Address the entrances after dotted crotchet rests through isolated sectional work, counting aloud together before combining with accompaniment figures.
  • Shape dynamics with intention by rehearsing dynamics in phrases rather than note by note; help students hear how careful observation of marked dynamics transforms the arrangement's character.
  • Use slow-tempo run-throughs to lock in the legato passages, then gradually bring the tempo up as bow control solidifies.

How to use it

Include this arrangement in a concert exploring folk song traditions, where it can sit comfortably alongside other lyrical works at this grade level. It also works well as a mid-year repertoire piece when your orchestra has developed stable ensemble sound and is ready to apply technique to musical communication.

Skills your students will build

  • Uniform bow direction and control across the section
  • Legato bowing in sustained passages
  • Reading and executing dotted rhythms with precision
  • Counting and entering accurately after rests
  • Dynamic shaping and expression within a melodic framework
  • Awareness of tone balance between melody and accompaniment

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