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Fantasia on Lobet den Herrn: Brass Duo & Ensemble, Choir, Conductor Score

$9.99 USD
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Fantasia on Lobet den Herrn Cover Image

Fantasia on Lobet den Herrn: Brass Duo & Ensemble, Choir, Conductor Score

By Walter Watson

Grade: 5

Item: 36-10508622FS

$9.99
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Description
This composition is based on the well-known hymn tune, LOBET DEN HERRN (PRAISE TO THE LORD) by Joachim Neander. FANTASIA ON 'LOBET DEN HERRN' was the First Price Winner of the Mount Union College Brass Choir Competition of 1986. The first major performance was given by the Mount Union College Brass Choir, Carl H. Kandel, director, on Easter Sunday, 1986, in the National Cathedral, Washington, D.C. The FANTASIA, though written specifically for use as a prelude, postlude, or instrumental anthem in a church service, is nonetheless effective in concert performance.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
UPC: 612735728724
SKU: 36-10508622FS
Instrumentation: Brass Choir: 3 Tpts, 4 Hns, 3 Tbns, 2 Bar, Tuba, Timp (opt.)

More about this title

Why we love this

Watson takes a beloved hymn tune and transforms it into something that feels both reverent and inventive, giving your brass ensemble room to breathe musically without sacrificing the spiritual core of the original. The piece won the Mount Union College Brass Choir Competition for good reason: it's sophisticated enough to hold a concert audience's attention while remaining practical for church use, and that dual functionality is genuinely rare.

What to expect

Reverent yet inventive, this fantasia unfolds like a meditation on a familiar prayer. The writing opens with clear statement of the hymn, then spins into richer harmonic territory, with moments of brightness and introspection alternating throughout.

Who it's for

Brass choirs working at Grade 5 who want repertoire that satisfies both liturgical and concert contexts. This score works for directors seeking a piece with melodic substance and harmonic depth that respects a well-known hymn without becoming didactic.

How to get the most out of it

  • Balance the harmonic foundation by letting the horns anchor the texture without overwhelming the trumpets and trombones carrying melodic material.
  • Treat the opening statement of the hymn tune as a moment of clarity; resist the urge to rush as the fantasia unfolds around it.
  • If using timpani, keep rolls and figures restrained to support the brass color rather than drive rhythmic momentum.

How to use it

Program this as a prelude or postlude in a worship setting to frame a service musically, or place it on a concert program between contrasting brass works to showcase your ensemble's ability to handle both lyrical writing and structural sophistication. The piece works well as an Easter or general celebratory offering.

Skills your students will build

  • Balancing sustained harmonic writing across multiple brass sections
  • Shaping a familiar melody within variations and textural elaborations
  • Executing clear articulation in choral-style brass writing
  • Responding to stylistic shifts between reverent and more active passages

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