Fantasia (on "Black Is the Color of My True Love's Hair") Sheet Music Preview

Fantasia (on "Black Is the Color of My True Love's Hair"): Concert Band Conductor Score & Parts

By Mark Camphouse

Grade: 4 (Medium Difficult)

Item: 00-PK-0000683

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Product Price Quantity
Fantasia (on "Black Is the Color of My True Love's Hair"): Score $10.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Piccolo $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Flute $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd Flute $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Oboe $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd Oboe $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Bassoon $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd Bassoon $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 1st B-flat Clarinet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd B-flat Clarinet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 3rd B-flat Clarinet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): E-flat Alto Clarinet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): B-flat Bass Clarinet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): B-flat Contrabass Clarinet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): E-flat Alto Saxophone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd E-flat Alto Saxophone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): B-flat Tenor Saxophone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): E-flat Baritone Saxophone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 1st B-flat Trumpet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd B-flat Trumpet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 3rd B-flat Trumpet $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 1st F Horn $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd F Horn $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 1st Trombone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd Trombone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 3rd Trombone $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Baritone T.C. $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Baritone B.C. $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Tuba $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Mallets $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 1st Percussion $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): 2nd Percussion $3.00
Fantasia (on "Black Is the Color of My True Love's Hair"): Timpani $3.00

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Description
Mark Camphouse weaves beautifully musical strains of the classic folk song in his Fantasia for concert band. This intimate and lyrical setting will challenge and inspire your band while exploring and celebrating our rich folk song heritage. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fantasia (on "Black Is the Color of My True Love's Hair"): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 132
SKU: 00-PK-0000683

More about this title

About the Composer: Mark Camphouse

Mark Camphouse has established himself as a composer with a gift for accessible yet substantive concert band writing. His arrangements and original works consistently find their way into festival programs and concert halls across North America, where they balance musical sophistication with genuine appeal to student musicians.

Why we love this

Camphouse taps into something real here: the melody is unforgettable, the orchestration deepens rather than overwhelms it, and the piece sits at exactly the right difficulty level to feel rewarding without requiring virtuosic soloists. Contest adjudicators respond to this kind of writing because it's both musically substantial and genuinely moving.

What to expect

Warm and reflective, with the quiet dignity of a folk melody that has traveled through generations. The harmonic setting lets the tune breathe while adding layers of color and emotional depth that transform a familiar song into something that feels both intimate and grand.

Who it's for

This score serves Grade 4 concert bands with solid section balance and students who can shape a lyrical line. It's equally at home on a festival program or a concert exploring American musical roots, and it works well for bands looking to program something that audiences and performers both connect with immediately.

How to get the most out of it

  • Balance the folkloric melody against the harmonic accompaniment so the tune remains the anchor even when multiple sections carry it simultaneously.
  • Let the intimacy come through by resisting the urge to overstate dynamics; this piece earns its moments of fullness through restraint.
  • Shape phrases as if they were vocal lines, thinking in terms of breath and natural story arc rather than mechanical phrasing.
  • Pay particular attention to blend in the middle voices, where Camphouse builds the emotional foundation beneath the melody.

How to use it

This is a natural fit for festival competitions where the combination of accessibility and musical substance impresses adjudicators. It also anchors concert programs well as a centerpiece that showcases your band's ability to handle lyrical material with maturity and expression.

Skills your students will build

  • Shaping long melodic lines with phrase direction and breathing
  • Balancing melody and accompaniment across multiple sections
  • Sustained tone production at varied dynamic levels
  • Ensemble blend and intonation in harmonic textures
  • Understanding folk melody and its cultural context

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