Fanfare Nobilise: Baritone B.C. Sheet Music Preview

Fanfare Nobilise: Baritone B.C.

By Roland Barrett

Grade: 3.5 (Medium)

Item: 00-PC-0018708_BBC1

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Description
Fanfare Nobilise was commissioned by the Noblesville, Indiana bands in honor of the 150th anniversary of the school district. It features a bold and impactful opening statement followed by more stately but crisply articulated passages leading to a powerful and climactic ending. This original Roland Barrett composition will serve as a spectacular opener for your next concert. (3:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fanfare Nobilise: Baritone B.C. comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 114
SKU: 00-PC-0018708_BBC1

More about this title

About the Composer: Roland Barrett

Roland Barrett

Roland Barrett holds faculty positions in music theory and composition at the University of Oklahoma, where he has taught since 2001. His background as Assistant Director of Bands for fifteen years informs both his classroom instruction in twentieth-century theory and composition and his ongoing work as musical arranger for the Pride of Oklahoma marching band. Barrett has composed and arranged over two hundred works for symphonic band, chamber ensembles, and marching band, earning multiple ASCAP Plus awards and recognition from the Michael Hennagin Memorial Scholarship in Composition.

His music reaches far beyond the university. All-State, All-Region, and All-District Honor Bands regularly perform his compositions, and his work has been featured on NPR and the USA cable network. The Dallas Wind Symphony has championed his writing, and his pieces have appeared at the Midwest Band & Orchestra Convention, the National Trumpet Competition, and the International Trumpet Guild Convention.

Why we love this

Barrett knows exactly how to write a concert opener that commands attention without wearing out your ensemble. The architecture here is intelligent: a striking entrance that announces your group's capabilities, followed by passages that require crisp ensemble control and rhythmic precision, building to a climax that lands with impact. At Grade 3.5, this sits perfectly in the reach of strong high school and upper middle school programs looking for something original that also reads as professional.

What to expect

From the first gesture, this piece announces itself as ceremonial and purposeful. The bold opening recedes into passages of stately dignity, each phrase cleanly articulated and deliberate, before gathering momentum toward a climax that feels genuinely earned rather than imposed. The overall arc suggests celebration and formal occasion without sacrificing musical substance.

Who it's for

This work suits concert bands at the Grade 3.5 level, from strong high school programs to experienced middle school ensembles. Directors seeking an original composition for festival or contest contexts will find the pacing and construction well-suited to competitive programming.

How to get the most out of it

  • Shape the opening statement with confidence and projection. The boldness of this passage depends on unified articulation across sections, so lock down your attack and release in sectional rehearsals before full ensemble work.
  • Balance the stately passages against their crisp articulation. These middle sections can feel static if the ensemble doesn't maintain rhythmic precision and character while backing off the dynamic intensity of the opening.
  • Build the climax gradually and deliberately. Resist the urge to jump to full volume too early; let the harmonic and textural layers accumulate so the final statement hits with earned power rather than sudden shouting.

How to use it

Program this as a concert opener when you want to establish your ensemble's technical control and musicality from the downbeat. Its commissioning origin and original composition also make it a natural fit for festival competitions or special concerts marking school milestones. At just over three minutes, it flows well into contrasting repertoire without dominating the program.

Skills your students will build

  • Unified articulation and attack across multiple sections
  • Dynamic control and shaping across a large formal arc
  • Reading and executing rhythmic precision in stately passages
  • Ensemble balance during textural layering and harmonic buildup
  • Responding to conductor phrasing and structural shaping

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