Fanfare for the Third Planet: Concert Band Conductor Score & Parts
By Richard L. Saucedo
Grade: 2
Item: 35-PK00325618
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About the Composer: Richard L. Saucedo

Richard L. Saucedo spent 31 years as Director of Bands and Performing Arts Chairman at Carmel High School in Indiana, building one of the nation's most consistently successful band programs. Under his leadership, Carmel's ensembles claimed state and national titles across concert, jazz, and marching categories, with the Wind Symphony I performing at the Music for All National Festival three times and the Marching Greyhounds placing in the BOA Grand National Championship's top ten for 17 consecutive years, including national wins in 2005 and 2012.
Saucedo's contributions to music education earned him Indiana's Bandmaster of the Year honor in 1998-99, Outstanding Music Educator in 2010, and induction into both the Music for All Hall of Fame (2015) and DCI Hall of Fame (2022). Beyond his tenure at Carmel, he has arranged and composed for marching bands, concert bands, choral ensembles, and orchestras. His work with the Blue Devils Drum and Bugle Corps and prior service with the Cavaliers (five DCI world championship contributions) demonstrate his reach across the activity. Saucedo serves as Senior Educational Consultant for Music for All and Bands of America, and holds membership in the American Bandmasters Association.
Why we love this
Saucedo writes Grade 2 music that doesn't compromise on compositional sophistication. The rhythmic drive never lets up, the harmonic language feels contemporary without becoming inaccessible, and the orchestration moves beyond doubling to create actual textural variety. A brief woodwind-centered calm section gives ensemble and audience alike a moment to breathe before the ending kicks in, which is exactly the kind of structural thinking you want in a piece at this level.
What to expect
Bright, energetic, and purposeful. The piece gallops forward with characteristic fanfare figures, then shifts gears into a contemplative woodwind moment that feels earned and composed, before surging back to its dynamic close. The overall effect is one of motion and forward momentum, with enough textural variety to keep both players and listeners engaged.
Who it's for
Grade 2 bands with solid fundamentals who are ready to tackle rhythmic independence and sustained energy. Directors looking for a concert opener or a confidence-builder that sounds ambitious without requiring advanced technique.
How to get the most out of it
- Establish a steady tempo early in rehearsal and lock it in. Since the entire piece sits at one tempo, precision with the beat will illuminate all the rhythmic vitality in the writing.
- Bring out the layering effects Saucedo creates, especially in the quieter woodwind section. Balance and clarity of line matter more here than volume.
- Shape the fanfare phrases with forward motion. These aren't static calls; they're meant to propel the music forward into the next idea.
How to use it
Open a concert with this to set an upbeat tone and hook your audience immediately. It also works well as part of a three-piece set where it can anchor the lighter end of the program, paired with something more introspective before or after.
Skills your students will build
- Rhythmic independence within a single tempo
- Balance and voice independence in layered textures
- Dynamic contrast and phrase shaping in fanfare writing
- Sustaining ensemble energy through a moderate 2:30 arc