Fanfare and Concertato on "O Worship the King": Choral Instrumental Pak
As performed by Robert Grant / As performed by Johann Haydn / Arranged by Brad Nix / Arranged by Jon Paige
Item: 35-PK00289221
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Description
Uses: Christ the King, Service Music, General, Hymn Arrangement
Scripture: Psalm 104:1-2, Joshua 1:5, John 4:23, Daniel 7:22
A flourish for Christ the King Sunday is ideal for joining choir and congregation in the joyful embrace of sacred song. From the opening alleluias, this choral piece calls a service to purpose and acts as an extended introduction to the hymn. Whether accompanied by piano or organ, this time-honored hymn will be a praise-worthy addition to worship.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00289221
More about this title
About the Artist: Robert Grant
Robert Grant (1779-1838) was a Scottish minister and hymn writer whose texts have shaped congregational singing for nearly two centuries. His lyrics combine theological depth with accessible language, making complex spiritual concepts memorable and singable for diverse worship communities.
Why we love this
Brad Nix and Jon Paige have crafted an arrangement that respects the hymn's inherent dignity while creating genuine festive energy. The opening alleluias feel organic rather than tacked on, and the orchestration gives organists and pianists real material to work with beyond simple accompaniment.
What to expect
Jubilant and reverent at once. The opening has ceremonial brightness, almost processional in character, while the familiar hymn tune grounds everything in communal warmth. You move from formal fanfare into the kind of singing that invites the whole room to participate.
Who it's for
Choirs preparing Christ the King Sunday services or any worship setting that benefits from a confident, musical gateway into congregational hymn singing. This works equally well in traditional liturgical contexts and contemporary services seeking substantial musical content.
How to get the most out of it
- Bring out the alleluias with bright articulation in the opening section; they set the celebratory tone that carries through the entire piece.
- Balance the choir's harmonic layers against instrumental texture by rehearsing voices and accompaniment separately first, then gradually bringing them together.
- Shape the transition into the hymn tune itself with a slight ritardando to signal the shift from fanfare to congregational singing.
- If using organ, experiment with registration changes between the introductory material and the hymn proper to create architectural clarity.
How to use it
Position this as your opening music for a Christ the King service, allowing it to function as both a musical statement and a seamless entry point for the congregation to join in singing the hymn. It also works well in a general service when you want worship to begin with instrumental flourish and corporate voice together.
Skills your students will build
- Blending choral voices over active accompaniment
- Stylistic contrast between fanfare idiom and hymn tune
- Singing text with clear articulation in rapid harmonic changes
- Responding to dynamic and textural shifts in ensemble performance