Fanfare And Concertato On "I Stand Amazed In The Presence" (Orch.) (arr. Jon Paige Brad Nix): Choral Instrumental Pak
By Charles H. Gabriel / Arranged by Brad Nix / Arranged by Jon Paige
Item: 35-PK00475738
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Description
One of the most requested hymns of the faith is the latest addition to this popular series. Flowing with confidence and power, this solid selection will add meaning to any worship gathering. Crafted to invigorate congregational singing, the choir provides the "bookends" and a freely harmonized second stanza creates an unforgettable corporate worship experience. An instant classic! Score and Parts (tpt 1-2, tbn 1-2, timp) available as a digital download. Part for Handbells (3 oct.) also available as a digital download.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00475738
More about this title
About the Composer: Charles H. Gabriel
Charles H. Gabriel stands as one of the most prolific hymn composers in American Protestant music. Active from the late 1800s through the early 1900s, Gabriel authored thousands of gospel songs and hymns that became staples in churches across denominational lines. His gift for memorable melodies and deeply singable lines made his work accessible to congregations of all musical backgrounds, ensuring his compositions remained in active use for more than a century.
Gabriel's legacy rests on his ability to balance theological substance with musical directness. His hymns were written to be sung by ordinary worshippers, yet they hold up to thoughtful arrangement and instrumental enhancement. This combination of craftsmanship and accessibility explains why his melodies continue to anchor modern worship experiences and why they respond so well to contemporary orchestration.
Why we love this
The arrangement honors Gabriel's original melody while giving it orchestral weight and contemporary harmonic color. Nix and Paige structure the piece to actively engage your congregation rather than simply perform for them, with the choir framing and the freely harmonized second stanza creating a moment that feels genuinely collaborative. This is one of those rare arrangements that lifts a familiar hymn without overshadowing its core message.
What to expect
The piece conveys quiet reverence punctuated by moments of declared confidence. Gabriel's original melody carries the emotional weight, while the arrangement adds architectural support through fanfare gestures and harmonic enrichment. The overall effect is one of stability and uplift, grounded in genuine congregational participation.
Who it's for
This works for any worship leader, music director, or choir preparing music for congregational settings where Gabriel's hymns resonate. It suits ensembles with access to basic brass and timpani or handbells, making it flexible enough for smaller and larger programs alike.
How to get the most out of it
- Support the congregational melody in the outer sections by keeping choir attacks together and releasing cleanly; this clarity invites rather than instructs the singing assembly
- Balance the harmonic freedom in the second stanza so that inner voices add color without burying the tune; consider slightly lighter dynamics in the accompaniment if your orchestra tends toward fullness
- Shape the fanfare sections with conviction and precision; these bookend moments set the tone for the corporate singing that follows
- Coordinate the handbells (if using all three octaves) as a textural layer beneath rather than above the choir; they should enhance resonance, not compete for attention
How to use it
Consider placing this as the opening musical statement in a worship service where you want to establish both intimacy and musical competence early. The freely harmonized second stanza gives you natural room to build intensity if needed, making it equally effective as a standalone anthem or as part of a longer liturgical sequence.
Skills your students will build
- Balancing ensemble blend when accompanying congregational melody
- Responding to fermatas and interpretive phrasing in a sacred context
- Executing articulation contrasts between fanfare sections and legit hymn passages
- Reading parts with both rhythmic precision and expressive nuance