Fanfare and Concertato on "I Love Thy Kingdom, Lord" (Brass Timpani) (arr. Jon Paige and Brad Nix): Choral Instrumental Pak
Arranged by Brad Nix / Arranged by Jon Paige
Item: 35-PK00474385
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Fanfare and Concertato on "I Love Thy Kingdom, Lord" (Brass Timpani) (arr. Jon Paige and Brad Nix): Choral Instrumental Pak isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
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About the Arranger: Brad Nix
Brad Nix has established himself as a trusted voice in church music and choral arranging, with a particular gift for transforming hymn texts into vibrant, participatory worship moments. His arrangements balance accessibility with musical sophistication, making them equally at home in congregational settings and concert venues.
Why we love this
The arrangement captures what makes this hymn endure: a declaration of faith that invites your entire congregation into something larger than themselves. The brass and timpani frame the voices without overwhelming them, letting the text and melody remain the focal point while still delivering that triumphant gesture the opening promises.
What to expect
A moment of corporate conviction. The opening flourish sets a tone of affirmation and resolve, and as the hymn unfolds, you sense voices and instruments affirming something together. It feels like worship that has teeth without losing its grace.
Who it's for
This works for worship leaders seeking a hymn-based anthem that gives both choir and congregation a meaningful role, and for directors programming ecumenical concerts or church services where musical substance matters as much as accessibility. The instrumentation is lean enough for smaller ensembles yet flexible enough to expand with additional brass if your musicians are available.
How to get the most out of it
- Balance the choral sound against the brass entrance. The voices need presence in the opening measures to establish ownership of the tune before the instrumental colors bloom.
- Timpani strokes should emphasize the architectural moments rather than doubling every beat. Let the roll work as an undercurrent beneath the fervent text painting.
- Treat the congregational unison sections as an opportunity to shift dynamic weight and tempo slightly, signaling to the assembly when their moment has arrived.
How to use it
Program this as a special music moment during Sunday worship, or feature it as an opening number for a sacred choral concert where you want to establish an immediate sense of purpose. It also serves beautifully as an illuminated hymn within a longer liturgical service, bridging congregational singing and anthem literature.
Skills your students will build
- Balancing choral sonority with instrumental accompaniment
- Sustaining legit tone quality in hymnic contexts
- Responding to text inflection and harmonic rhythm
- Ensemble brass balance in a devotional setting
- Timpani rolls as structural rather than merely rhythmic elements