Fanfare and Concertato on "Come, Christians, Join to Sing" (Handbells) Sheet Music Preview

Fanfare and Concertato on "Come, Christians, Join to Sing" (Handbells): Choral Instrumental Pak

Arranged by Brad Nix

Item: 35-PK00389922

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Description
Uses: Call to Worship, General Scripture: II Chronicles 35:15; Ezra 3:11; Psalm 95:1 Part of a series of special publications devoted to encouraging congregational singing, this adaptation of a favorite hymn is designed as a powerful anthem for choir, with optional brass and handbells. This invitation to worship and praise is also an ideal service opener. The octavo follows the standard "Concertato" format featuring a verse of free harmonization and a final verse that includes a soaring descant, along with choral intros and tags. Dynamic!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00389922

More about this title

About the Arranger: Brad Nix

Brad Nix is an accomplished arranger and composer whose work spans sacred music, instrumental arrangements, and liturgical settings. His compositions and adaptations are known for their accessibility paired with musical substance, making them particularly valuable for churches and schools seeking repertoire that engages singers without requiring virtuosic technical demands.

Why we love this

This arrangement respects the hymn tune while transforming it into something with genuine anthemic weight. The concertato structure gives you built-in variety: a freely harmonized verse that lets you reimagine familiar material, then a final verse with descant that lifts the piece into something genuinely celebratory. It's the kind of piece that feels special without requiring exceptional singers.

What to expect

There's an invitational quality here, as though the piece itself is calling people to gather and sing. The fanfare opening sets an expectant mood, while the verses allow for moments of reflection before the final verse blooms with joy and affirmation. It feels both welcoming and celebratory.

Who it's for

This works for any church choir looking for a fresh take on a beloved hymn tune. It's also ideal for schools or community choirs with modest performance resources since the brass and handbell parts are optional, not essential. The piece sits comfortably for mixed voices of intermediate ability.

How to get the most out of it

  • Prepare the brass and handbell parts first so your choir can hear the full texture early in rehearsal, even if you're running the piece without them on concert day. Hearing those lines shapes how singers approach their own phrasing and articulation.
  • Shape the free harmonization verse with slight tempo flexibility and attention to voice leading. This isn't about rushing or dragging, but about letting the harmonies breathe and the sense of discovery come through.
  • Balance the descant carefully in the final verse. It should soar, but not bury the harmonic foundation beneath it. A quick balance check with just sopranos and the rest of the choir will reveal whether you need dynamic adjustments.

How to use it

Use this as a powerful service opener that establishes both a festive mood and a sense of purpose. It works equally well as a standalone anthem or as a bridge between congregational singing and choral features. The piece lands well in Advent, Easter, or any season emphasizing praise and gathering.

Skills your students will build

  • Balancing multiple instrumental timbres while maintaining choral clarity
  • Singing sustained melodic lines over moving inner voices
  • Responding to text painting and hymn reharmonization
  • Ensemble precision with optional brass and handbell parts

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