Fandanguillo, Op. 36 Cover Image

Fandanguillo, Op. 36: Guitar, Solo, Unaccompanied, Solo

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Fandanguillo, Op. 36 Cover Image

Fandanguillo, Op. 36: Guitar, Solo, Unaccompanied, Solo

By Joaquin Turina, ed./arr. by Andres Segovia

Item: 36-60750001

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Description
Joaquín Turina (1882-1949) was a spanish composer who studied under Moritz Moszkowski and Vincent d'Indy. He was greatly influenced from his time in Paris by Maurice Ravel and Claude Debussy, who also composed pieces influenced by Spanish music. Fandanguillo, written in 1925 and dedicated to Andrés Segovia, was one of five pieces Turina wrote for guitar. This edition is edited by Andrés Segovia. Reprint edition.

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Additional Details
Series: Master Guitar Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852201-8
ISBN13: 979-8-88-852201-1
UPC: 676737809607
SKU: 36-60750001
Instrumentation: Guitar

More about this title

About the Composer: Joaquin Turina

Joaquín Turina (1882–1949) was a Spanish composer whose creative voice emerged from his formative years in Paris, where he absorbed the harmonic innovations of Debussy and Ravel while maintaining deep roots in Spanish musical tradition. His guitar works, though few in number, rank among the most performed pieces in the solo guitar repertoire and showcase his gift for translating the idioms of Spanish dance and song into sophisticated concert music.

Why we love this

Turina's command of Spanish character is unmistakable here, and the piece sits perfectly between accessibility and artistry. Segovia's own editorial hand on this reprint means you're working with an edition shaped by one of the instrument's greatest advocates, giving students direct access to how the work's dedicatee understood it.

What to expect

The fandanguillo unfolds with the warmth and complexity of Spanish dance music filtered through a Paris-trained modern ear. There is elegance and refinement throughout, yet the piece never loses its connection to folk gesture and rhythmic vitality.

Who it's for

Guitarists at the intermediate to advanced level who have developed solid technique and are ready to engage with concert repertoire that demands both musical maturity and cultural understanding. This work rewards players who can hold multiple musical layers simultaneously and who want to deepen their connection to the Spanish guitar tradition.

How to get the most out of it

  • Lean into the rhythmic life of the fandanguillo itself; the piece thrives on the implied pulse of Spanish dance rather than metronomic regularity.
  • Balance the lyrical phrases against the rhythmic foundation so that melody sings without losing the dance character underneath.
  • Pay close attention to Segovia's fingering and position markings; they reflect decades of performance experience and often reveal the most idiomatic sonorities available on the instrument.

How to use it

Program this as a centerpiece in a recital featuring Spanish or Latin guitar literature, or as a solo work that speaks persuasively to the guitar's lyrical and rhythmic possibilities in a mixed repertoire concert. It works equally well as a milestone piece in a student's study, marking the transition into more sophisticated concert literature.

Skills your students will build

  • Phrasing within a strong rhythmic framework without losing forward motion
  • Idiomatic Spanish guitar technique and character
  • Balancing melody, harmony, and rhythmic accompaniment on a single instrument
  • Interpreting editorial markings from a master guitarist

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