Family Tree (arr. Carol Canning) Sheet Music Preview

Family Tree (arr. Carol Canning): SATB Choral Octavo

As performed by Venice / Arranged by Carol Canning

Item: 35-DS00489313

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00489313

More about this title

Why we love this

Carol Canning's arrangement captures the emotional core of this pop track while making it accessible for a cappella singing. The SATB voicing sits naturally and allows all four parts to shine without drowning anyone out. Groups love performing it because the contemporary pop context resonates with singers and audiences alike.

What to expect

The piece carries genuine emotional weight, moving between moments of vulnerability and fuller harmonic texture. There's a contemporary intimacy to the arrangement that reminds listeners why pop music speaks to them, even when stripped down to pure voices.

Who it's for

High school and college choirs seeking contemporary repertoire with substance. This arrangement works for groups comfortable with pop idioms and looking to expand beyond traditional choral settings. It's equally suited for competitive or concert contexts.

How to get the most out of it

  • Shape the phrasing with your breath. Since there's no instrumental support, each musical phrase needs clear momentum and intentional release.
  • Blend the vowels carefully during sustained harmonies, especially when the voices move at different rates. Unified tone color will make the arrangement feel cohesive.
  • Bring textural awareness to your rehearsals. Mark where voices should feel prominent and where they should recede into the harmonic background.

How to use it

Pair this with other contemporary a cappella arrangements to build a cohesive set that speaks to younger audiences. It works as a standout moment in a mixed concert when placed thoughtfully among more traditional choral selections.

Skills your students will build

  • Blending vowels in sustained harmonic passages
  • Maintaining pitch independence without instrumental support
  • Interpreting contemporary popular music through choral technique
  • Creating phrase shape and musical momentum in a cappella settings

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