Family (from Dreamgirls) (arr. Mac Huff) Sheet Music Preview

Family (from Dreamgirls) (arr. Mac Huff): SATB Choral Octavo

As performed by Henry Krieger / Arranged by Mac Huff

Item: 35-DS00256274

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00256274

More about this title

About the Artist: Henry Krieger

Henry Krieger composed the score for Dreamgirls, the 1981 Tony Award winning musical that became a cultural landmark in American theater. His work with lyricist Tom Eyen created music that blends soul, R&B, and Broadway traditions into a cohesive dramatic statement. Krieger's compositions have become standards in both professional and educational choral contexts, valued for their emotional depth and accessibility.

Why we love this

Mac Huff's arrangement captures the warmth and intimacy of this Dreamgirls moment while keeping the vocal writing elegant and manageable for high school and college choirs. The SATB texture opens the song to groups beyond Broadway specialists, making it a genuine entry point for singers who want to experience contemporary musical theater repertoire with sophistication. Programming this piece signals to your audience that you take popular music seriously.

What to expect

Warm, affirming, and grounded in real human connection. The arrangement honors the emotional core of Krieger's composition; singers will feel the pull of the harmonic progressions and the comfort of blending voices in service of something meaningful.

Who it's for

Choirs at the high school or college level looking to expand into contemporary musical theater with repertoire that respects both the integrity of the original and the capabilities of young singers. Directors seeking material that bridges musical theater and concert music traditions will find this accessible without being simplistic.

How to get the most out of it

  • Treat the harmonic movement as functional and intentional; each chord shift should feel purposeful rather than ornamental. The arrangement relies on clear voice leading to land emotional beats.
  • Balance the vocal lines so that the melody dominates without soloists drowning out the supporting parts. Krieger's orchestrations depend on lush chordal color, so let your ensemble voices shine as much as your leads.
  • Connect the lyrical content to your physical presence and expression. This is a song about connection and belonging; avoid technical precision at the expense of genuine communication.

How to use it

This works beautifully as a concert closing number or as part of a set devoted to contemporary American musical theater. Consider pairing it with other songs that explore community and belonging, or feature it as a bridge between your classical and pop programming.

Skills your students will build

  • Singing contemporary harmonic language with clarity and blend
  • Interpreting Broadway composition within a concert music context
  • Balancing melodic and harmonic responsibility in four-part texture
  • Connecting lyrical meaning to musical expression in popular song

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