Fallen: E-Z Play Today

As performed by Sarah McLachlan

Item: 35-DS00458761

Digital Download
$4.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00458761

More about this title

About the Artist: Sarah McLachlan

Sarah McLachlan emerged in the 1980s as a singer-songwriter whose introspective lyrics and atmospheric production shaped alternative rock and pop music. Her work centers on emotional vulnerability and sophisticated arrangements, often blending orchestral elements with rock instrumentation. In educational settings, her catalog offers students direct access to contemporary songwriting that prioritizes melody and lyrical storytelling.

Why we love this

McLachlan's songwriting demonstrates how restraint and dynamics create emotional impact, something your students need to hear in a pop context. The arrangement here translates beautifully to solo piano, letting students engage with the song's architectural strength without overwhelming production noise. It's modern enough to hold their interest while teaching principles of tension, release, and harmonic color.

What to expect

Introspective and spacious, with moments of building intensity that pull back into quiet reflection. The piece carries the emotional weight of the original while inviting pianists to shape the silence as carefully as the notes.

Who it's for

Students who connect with contemporary popular music and want to understand how strong songwriting translates across genres and arrangements. Pianists working on touch, sustain pedal technique, and dynamic control will find plenty to explore in this four-page setting.

How to get the most out of it

  • Build the emotional arc gradually through the first two pages; resist the urge to play everything at full dynamic right away.
  • Voice the left hand chords to create space rather than density; some voicings will feel more open and atmospheric than others.
  • Pay attention to the rhythm of the vocal line when you arrive at those sections; the melody carries specific phrasing that shouldn't be rushed.
  • The accompaniment patterns shift subtly across phrases; marking those transitions helps prevent the performance from feeling monotonous.

How to use it

Feature this as a contemporary solo in a spring recital or concert focused on popular songwriting. It works well paired with other singer-songwriter material, offering students a chance to perform music they actually listen to and care about.

Skills your students will build

  • Dynamic control and shaping of longer phrases
  • Voicing and spacing of chords to create atmosphere
  • Left-hand accompaniment patterns specific to contemporary pop arrangements
  • Sustain pedal technique for melodic clarity
  • Connecting melody with harmonic progression across the staff

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