FaLaLaLaLa Sheet Music Preview

FaLaLaLaLa: SAB Choral Octavo

By Jim Brickman / By Victoria Shaw / Arranged by Ed Lojeski

Item: 35-DS00244110

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00244110

More about this title

About the Composer: Jim Brickman

Jim Brickman

Jim Brickman has built a career on writing music that connects emotionally with audiences. As one of the best-selling solo pianists in contemporary music, he's developed a signature compositional voice that blends accessibility with genuine artistry, earning him recognition across multiple genres and formats.

Brickman's philosophy centers on music as a vehicle for human connection. His work consistently aims to enhance life's significant moments, whether through intimate piano pieces or collaborative vocal arrangements. This particular piece with Victoria Shaw reflects his commitment to creating music that resonates with both performers and listeners.

Why we love this

Ed Lojeski's arrangement captures the infectious warmth of this tune while keeping the part writing manageable for developing voices. The SAB voicing sits comfortably across three parts without sacrificing musical interest, and the festive spirit makes it a natural fit for programs that need genuine warmth without heavy lifting.

What to expect

Buoyant and joyful, with a sing-along quality that invites ensemble cohesion. The repeating syllables create rhythmic momentum while maintaining a playful, unpretentious character that feels genuinely festive rather than manufactured.

Who it's for

This works well for choirs seeking accessible seasonal or celebratory material that doesn't require advanced vocal technique. Directors building programs with lighter fare will appreciate the straightforward part writing and immediate appeal to audiences.

How to get the most out of it

  • Keep the rhythmic pulse steady and bouncy throughout; this tune thrives on infectious energy rather than rubato interpretations
  • Balance the parts so the melody remains clear without the altos and basses retreating into accompaniment roles
  • Encourage crisp, unified articulation on the repeated syllables to lock in the charm of the text

How to use it

Pair this with other accessible choral fare to build a concert section that emphasizes joy and audience connection. It works equally well as a concert opener or closer, and the lighter demands make it ideal for programs where rehearsal time is limited or when you need a morale boost in a longer rehearsal schedule.

Skills your students will build

  • Rhythmic precision in repeated syllabic patterns
  • Balancing three-part harmony while maintaining textural clarity
  • Sustaining energy and character across a piece built on repetition

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