Faithfully Sheet Music Preview

Faithfully: SAB Choral Octavo

As performed by the cast of Glee

Words and music by Jonathan Cain [Journey] / arr. Alan Billingsley

Item: 00-PO-0002364

Digital Download
$1.90

Minimum order quantity: 20 copies

Description
This popular power ballad makes the scene after appearing in the season finale of Glee. A hot hit single from Journey's album Frontier, featuring two opening solos. "I'm forever yours, faithfully."

Faithfully: SAB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0002364

More about this title

About the Composer: Jonathan Cain

Jonathan Cain is a keyboardist and composer best known for his decades with Journey, where he co-wrote some of rock music's most enduring anthems. His songwriting blends accessible melody with emotional depth, making his work particularly effective for choral adaptation. Cain's compositions have earned Grammy recognition and remain standards in popular music education repertoire.

Why we love this

Alan Billingsley's SAB arrangement captures the sweeping emotional arc of this power ballad while remaining singable for mixed ability choirs. The two featured solos offer natural opportunities for student showcases, and the accessible voicing ensures your whole ensemble stays engaged rather than sitting through long stretches of harmony-only sections. It's a piece that genuinely excites students to rehearse because they already know and love the song.

What to expect

Faithfully unfolds as a tender declaration of lasting commitment, built on Journey's signature blend of rock instrumentation and sweeping melodic lines. The arrangement honors the original's emotional vulnerability in the verses while giving your singers the satisfying power of ensemble singing in the chorus. This is music that feels genuine in the mouths of young singers, not condescending or artificially simplified.

Who it's for

This arrangement works for mixed choirs at the middle school level and above, particularly groups with some rehearsal time under their belts. It's ideal for programs seeking popular, contemporary repertoire that connects with students' actual listening habits while maintaining musical substance. Directors programming a concert that includes both classical and modern work will find this a natural bridge.

How to get the most out of it

  • Assign the opening solos early in rehearsal to confident singers who can anchor the emotional tone. The soloists set the intimacy for the entire piece, so their tone and phrasing matter more than perfect technique.
  • Shape the dynamic arc carefully in the choral sections. This arrangement likely builds momentum toward a climactic moment, so resist the urge to go full volume too early.
  • If you're using the recorded accompaniment, rehearse without it first to establish solid part independence, then layer it in once your singers are secure with their lines.
  • Pay attention to text clarity in the opening solos and the main lyrical hook. The strength of this piece lives in its singability and emotional directness, not complexity.

How to use it

Place this strategically in a concert program where you want to shift energy and connect with an audience that recognizes the song. It works beautifully as a standalone contemporary piece in a mixed-genre concert, or as part of a set exploring popular music across decades. Consider programming it where students can breathe and show their emotional maturity as musicians, not just their technical chops.

Skills your students will build

  • Singing sustained, lyrical phrases with consistent vibrato and tone
  • Balancing part independence with blend in SAB voicing
  • Responding to emotional content and text expression in popular song
  • Ensemble coordination with recorded accompaniment
  • Navigating the transition between solo and choral sections

You May Also Like