Faith Noel Cover Image

Faith Noel: String Orchestra Conductor Score & Parts

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Faith Noel Cover Image

Faith Noel: String Orchestra Conductor Score & Parts

As Performed by Trans-Siberian Orchestra

Music by Piotr Ilyich Tchaikovsky, Paul O'Neill, and Robert Kinkel / arr. Bob Phillips

Grade: 3

Item: 00-40428

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Description
The beautiful, lyric presentation of a traditional carol will be greatly enhanced by adding a rhythm section and electric instruments, but can also be played by strings alone. (4:25)
This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Faith Noel: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 160
UPC: 038081457604
SKU: 00-40428

More about this title

About the Composer: Piotr Ilyich Tchaikovsky

Piotr Ilyich Tchaikovsky (1840-1893) stands as one of the nineteenth century's most performed composers, known for his gift for sweeping melody and emotional directness. His work spans symphonies, concertos, ballets, and vocal music that continue to dominate concert halls and classroom repertoires worldwide. Tchaikovsky's influence on popular culture remains profound; his melodies are instantly recognizable and deeply connected to the seasons and holidays, particularly through his ballet scores and orchestral works.

Why we love this

This arrangement captures the lyrical warmth of a beloved traditional carol while opening doors to multiple instrumentation possibilities. Whether your program includes a full rhythm section and electric instruments or stays purely acoustic, the core beauty of the melody shines through. The Grade 3 level makes it accessible for developing orchestras while still offering enough musical substance to engage experienced musicians.

What to expect

This is Tchaikovsky's gift for memorable melody meeting contemporary energy. The arrangement preserves the carol's spiritual warmth and reflective character while creating space for rhythmic drive and modern color. You'll hear both the timeless quality of the original music and the fresh approach that makes it resonate with today's listeners.

Who it's for

String orchestras at the Grade 3 level will find this arrangement immediately playable while still rewarding careful musical attention. It works equally well for ensembles seeking a winter concert centerpiece or for groups exploring how pop-rock sensibilities can refresh traditional holiday material.

How to get the most out of it

  • Balance the melodic line across your string sections; this carol's strength lies in its sustained, singing quality rather than technical display. Encourage players to breathe with the phrases rather than mechanically counting measures.
  • If you're adding rhythm section and electric instruments, use them to color and support the strings rather than overshadow them. The arrangement adapts seamlessly, so rehearse with and without the additional parts to find what serves your ensemble best.
  • Attend to dynamics carefully in the quieter passages. A carol's intimacy depends on players listening to one another and shaping the line together, not on volume.
  • The 4:25 duration gives you room for subtle tempo variations and breathing moments. Avoid rushing through sections; let the traditional melody speak naturally.

How to use it

Position this as a bridge between your traditional holiday offerings and more contemporary repertoire, particularly if you're building a concert around themes of timelessness or musical evolution. The flexibility to perform it as strings alone or with full instrumentation makes it valuable mid-season when adding musicians or instruments might be logistically challenging, and it anchors a winter concert with genuine musicality.

Skills your students will build

  • Sustaining lyrical lines across phrase boundaries
  • Balancing melody and accompaniment within a string section
  • Adapting to different ensemble configurations without losing musical cohesion
  • Dynamic shaping in slower tempos and softer dynamics
  • Listening and blending across divisi string parts

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