Faith (arr. Kohl Kitzmiller) Sheet Music Preview

Faith (arr. Kohl Kitzmiller): SSAA Choral Octavo

As performed by George Michael / Arranged by Kohl Kitzmiller

Item: 35-DS00426819

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00426819

More about this title

About the Artist: George Michael

George Michael emerged as one of pop music's most distinctive voices, first gaining prominence in the 1980s with Wham! before establishing himself as a solo artist. His songwriting combined sophisticated harmonic sensibilities with deeply personal lyricism, creating songs that resonated across decades and audiences. Michael's influence on contemporary pop songwriting remains substantial, particularly in his ability to craft melodies that reward both casual listening and close harmonic study.

Why we love this

Kitzmiller's arrangement unlocks the harmonic richness in Michael's original composition, making it accessible for SSAA ensembles without sacrificing the emotional weight that made the song resonate with millions. The voicing sits naturally for upper voices while maintaining musical substance across all four parts, offering directors a contemporary piece that audiences genuinely know and singers genuinely want to perform.

What to expect

The arrangement captures the introspective intensity of the original, combining pop sensibility with choral sophistication. Singers move through passages of intimate vulnerability and moments of fuller, more assured expression, creating a narrative arc that feels genuinely moving rather than merely performed.

Who it's for

Choirs seeking contemporary repertoire that connects with singers and audiences alike will find this arrangement immediately valuable. The piece works equally well for community choirs, church ensembles, and select high school programs that have solid sight-reading skills and an ear for contemporary harmony.

How to get the most out of it

  • Honor the conversational quality of the melody. This arrangement thrives when singers shape phrases as if speaking directly to the listener rather than projecting to the back of the hall.
  • Balance the upper two soprano lines carefully during tutti passages. These voices often carry exposed material, so secure intonation across the soprano section pays immediate dividends.
  • Shape the harmonic progressions as functional movements rather than holding each chord as a static block. Think of how the original recording breathes through key moments and apply similar momentum to sustained sections.
  • Let silence work for you. Any moments of rhythmic or textural simplification serve as resting points for the listener, so don't feel compelled to fill every space.

How to use it

This piece works beautifully as a concert closer or centerpiece on programs featuring contemporary secular music. Pair it with other modern arrangements or vocal-pop hybrids to create a cohesive set that demonstrates how choral arranging can honor the integrity of well-crafted popular songs.

Skills your students will build

  • Maintaining intonation through jazz-inflected and chromatic harmonic movement
  • Interpreting contemporary vocal style within a choral context
  • Ensemble balance when multiple voices occupy similar ranges
  • Shaping longer melodic phrases without losing harmonic clarity
  • Responding to text as emotional communication rather than technical exercise

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