Faith Sheet Music Preview

Faith: SATB Choral Octavo

As performed by George Michael / As performed by Anne Raugh / Arranged by Deke Sharon

Item: 35-DS00297575

Digital Download
$2.99
Description

Faith: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00297575

More about this title

About the Artist: George Michael

George Michael emerged as a global pop force in the 1980s, first as the driving creative voice behind Wham! and then as a solo artist whose technical sophistication and emotional depth set him apart in mainstream music. His compositions reveal a deep understanding of harmony, arrangement, and vocal layering that translates remarkably well to the choral medium.

For choral directors, George Michael's catalog offers accessible yet harmonically rich material. His melodies sit naturally in the voice while his chord progressions reward singers who dig into the architecture of each phrase. "Faith" exemplifies this balance between commercial appeal and musical substance, giving ensembles repertoire that students recognize and audiences connect with immediately.

Why we love this

Deke Sharon's arrangement respects the iconic original while reimagining it for voices alone, which forces the choir to become both the harmony and the drive. The a cappella setting strips away production gloss and demands real musicianship from your singers. Programming this gives your ensemble a modern standard that audiences genuinely know and love, paired with an arrangement that challenges your singers to listen acutely to one another.

What to expect

Confident and assertive. The original's pop structure and driving groove translate into an arrangement that pulses with energy and contemporary attitude. There is both vulnerability and strength in the lyrics, giving singers emotional material to inhabit alongside the rhythmic demands.

Who it's for

Mixed choirs with solid sight reading skills and the ability to hold their own line without instrumental support. A cappella singing demands independence and listening maturity, making this suitable for intermediate and advanced ensembles. The nine pages contain enough substance to reward dedicated rehearsal time.

How to get the most out of it

  • Establish a rock-solid rhythmic foundation by isolating the bass line and working it separately from the chord roots. Once locked, layer the upper voices against that anchor.
  • Record a scratch track of just the bass and alto parts, then have sopranos and tenors learn their lines while listening to that foundation. This prevents the harmonic layers from floating.
  • Pay particular attention to blend within each section before worrying about balance between sections. A cappella singing exposes every tonal difference, so homogeneity within parts creates clarity across the whole choir.
  • Find the groove by having singers feel the pulse in their bodies rather than thinking metrically. This is pop music rooted in groove, not concert music rooted in precision alone.

How to use it

This works beautifully on a concert featuring contemporary or pop-influenced repertoire, or as a powerful closing number that speaks to a broad audience. Consider programming it after more classical selections to showcase your choir's range and versatility. The relative accessibility of the melody makes it an effective audience connector on a mixed program.

Skills your students will build

  • Rhythmic independence and entrances without instrumental cues
  • Harmonic listening and blend within a cappella texture
  • Sustaining tone and breath control across longer phrases
  • Interpreting contemporary song structure and groove in a choral setting
  • Balancing dynamic urgency with sustained vocal production

You May Also Like