Fairest of the Fair Cover Image

Fairest of the Fair: Concert Band Conductor Score

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Fairest of the Fair Cover Image

Fairest of the Fair: Concert Band Conductor Score

By John Philip Sousa / arr. Robert W. Smith and Michael Story

Grade: 2 (Easy)

Item: 00-32482S

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Description
Of his more than 130 marches, written in 1908, "Fairest of the Fair" remains one of John Philip Sousa's most popular marches. Robert Smith and Michael Story have teamed up to create this developing band version ideal for any second year ensemble. This title is available in MakeMusic Cloud.

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Additional Details
Series: Band Expressions
Publisher: Alfred Music
Page Count: 16
UPC: 038081389523
SKU: 00-32482S

More about this title

About the Composer: John Philip Sousa

John Philip Sousa (1854-1932) shaped American band music as both a composer and conductor, writing 136 marches that defined the genre for generations. His marches combine memorable melodies, sophisticated harmonies, and clear structural logic that make them enduringly teachable. The March King's gift for orchestration translates beautifully to band scoring, and his music remains essential repertoire for understanding American concert band tradition.

Sousa's marches work because they balance accessibility with musical substance. They reward careful attention to phrasing, balance, and stylistic clarity while remaining engaging for younger musicians. His influence on American music is so fundamental that most student musicians encounter his work without realizing how deeply his compositional approach shaped modern band literature.

Why we love this

This arrangement captures the architectural brilliance of Sousa's original without overwhelming a developing ensemble. Smith and Story understand exactly what second-year bands can handle: clear voicing, manageable ranges, and the chance to discover how a march actually works as a form. Your students will play something genuinely important, not a simplified version that loses the music's character.

What to expect

Bright, forward-moving, and celebratory. The march opens with swagger and never loses its sense of purpose. Sousa's melodies are instantly memorable yet carry enough harmonic interest to feel substantial. The trio provides a lyrical contrast that invites warmth and phrasing before the energy returns.

Who it's for

Second-year concert bands ready to step into genuine American repertoire. This arrangement fits groups with solid fundamentals in their first or second year, offering material that sounds complete and rewarding without demand for virtuosity.

How to get the most out of it

  • Shape the melodic line with intent. Young players often play marches note-to-note; train your band to hear the sweep of Sousa's themes across phrases, especially in the main strain.
  • Balance the reeds and brass carefully in tutti sections. The arrangement lays out voices logically, but rhythmic clarity from lower woodwinds matters enormously for forward motion.
  • Take the trio with confidence. A slower tempo choice here (relative to the march) lets the melody sing and gives your ensemble room to demonstrate control.
  • Attend to the percussion. Marches live or die by rhythm section precision. Clear attacks on cymbal crashes and steady snare articulation anchor the entire band.

How to use it

Pair this with other American staples to showcase the march tradition, or open a concert with it to establish energy and confidence. It works equally well as a festival selection or a building block in a thematic program exploring 20th-century American concert band works.

Skills your students will build

  • Phrasing and melodic direction within march form
  • Balance between sections in full-band scoring
  • Rhythmic precision and forward momentum
  • Stylistic understanding of the march genre
  • Attention to articulation and clarity in fast passages

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