Fa La La La La!: Choral SoundPax
(Deck the Hall)
Traditional Carol / arr., with new music, by Alan Billingsley
Item: 00-PK-0008590
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Fa La La La La!: Score | $8.00 | |
| Fa La La La La!: E-flat Baritone Saxophone | $3.00 | |
| Fa La La La La!: 1st B-flat Trumpet | $3.00 | |
| Fa La La La La!: 2nd B-flat Trumpet | $3.00 | |
| Fa La La La La!: 1st & 2nd Trombones | $3.00 | |
| Fa La La La La!: Guitar | $3.00 | |
| Fa La La La La!: String Bass | $3.00 | |
| Fa La La La La!: Drums | $3.00 | |
| Fa La La La La!: B-flat Tenor Saxophone | $3.00 | |
| Fa La La La La!: 1st Synthesizer | $3.00 | |
| Fa La La La La!: Piccolo | $3.00 | |
| Fa La La La La!: 1st Percussion | $3.00 |
Parts Added to Cart!
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Sample Audio
Fa La La La La!
Sample Video
Additional Details
More about this title
About the Arranger: Alan Billingsley

Alan Billingsley has built a career spanning educational choral and instrumental music, commercial recordings, television production, and large-scale entertainment projects. His work has appeared on NBC daytime television, in theme park attractions, and across corporate theatrical events, alongside original compositions that have received Grammy consideration. He maintains a long-standing creative relationship with The Walt Disney Company and has served as a clinician at Disneyland's Magic Music Days.
Billingsley holds a degree in music and psychology from Indiana University and operates a fully digital recording studio in the Los Angeles area. His arrangements are widely published in the educational market, making his distinctive approach to rhythm, orchestration, and stylistic innovation accessible to school choirs and performance ensembles.
Why we love this
Billingsley transforms a beloved carol into something your singers will actually want to rehearse. The Latin groove energizes familiar harmonies without abandoning the original's core identity, and the strategic key change combined with the new refrain and bridge architecture gives you multiple moments to build momentum toward a satisfying climax. This is one of those arrangements that sounds far more complex and exciting than it is to teach.
What to expect
Joyful and propulsive. The Latin rhythm lifts the familiar melody into new territory, creating a sense of forward motion that carries listeners through each verse. Syncopation and strategic harmony refreshes give the carol a contemporary shimmer while the original melody and the celebratory "Fa la la" refrain keep it recognizably Christmas.
Who it's for
Intermediate to advanced high school and college choirs looking for a Christmas selection that balances tradition with modern energy. Directors who want their singers engaged and the audience entertained will find the rhythmic vitality and structural freshness here exactly what they need. This works equally well in concert settings, pops shows, or festive community performances.
How to get the most out of it
- Nail the syncopation early in rehearsal. Count the offbeat figures explicitly before moving to the text, and isolate the "Fa la la" refrain as a rhythmic ostinato until all parts lock together.
- Shape the bridge as a genuine crescendo in energy and dynamics. The new material here sets up the key change, so treat it as a lift rather than a holding pattern.
- Let the key change breathe. Give the ensemble a moment to reset and recognize the harmonic shift, then lean into the final verse with fresh intensity.
- Use the recorded accompaniment to establish the groove early. The Latin percussion and harmonic drive are essential to the arrangement's character.
How to use it
Program this as a closing-out-the-first-half festive number or as part of a mixed holiday medley when you want immediate audience engagement. The combination of recognition value and contemporary groove makes it a natural bridge between traditional carols and secular holiday pops fare. The available choreography also invites staging possibilities that can anchor your concert's emotional and physical energy.
Skills your students will build
- Singing and counting syncopated rhythmic figures against straight accompaniment
- Maintaining harmonic integrity while executing rhythmic complexity
- Executing a key modulation and adjusting vocal placement accordingly
- Layering rhythmic ostinatos (the "Fa la la" refrain) with primary melodic lines