Ezekiel's Wheel Sheet Music Preview

Ezekiel's Wheel: SAB Choral Octavo

Arr. Philip Kern

Item: 00-PO-0003776

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately, then together. Features brief, optional solos, a rollicking piano accompaniment, and a short a cappella section.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0003776

More about this title

About the Arranger: Philip Kern

Philip Kern is a versatile composer and arranger whose work spans choral music, orchestration, and educational settings. His arrangements are known for respecting the integrity of source material while crafting engaging, singable parts that work across different skill levels.

Why we love this

Kern's pairing of two beloved spirituals gives singers the satisfaction of recognizing familiar melodies while experiencing fresh harmonic treatment and a genuinely fun arrangement to perform. The optional solos and a cappella moment create natural opportunities for ensemble spotlight while the rollicking piano keeps rehearsals energized.

What to expect

Joyful and alive. The arrangement invites physical response and genuine joy in singing, moving from the clarity of unison or two-part statements into rich, layered harmonies that feel earned rather than imposed. The a cappella moment offers a brief window of intimacy before the energy returns.

Who it's for

Choirs with solid fundamentals in part-singing who want a spiritual arrangement that feels both accessible and substantial. SAB voicing makes this work for mixed ensembles at the high school and adult community levels without demanding advanced vocal technique.

How to get the most out of it

  • Balance the separate melody statements carefully so both spirituals shine with equal clarity before the voices combine; this builds anticipation for the fuller texture.
  • Tap into the rhythmic lift the piano provides during accompanied sections, using it as an anchor for ensemble cohesion rather than working against it.
  • Prepare singers for the tonal shift the a cappella moment demands; brief sectional work on tuning in isolation pays off dramatically.
  • Cast optional solos among singers with secure pitch and comfortable presence; these moments work best when they feel conversational rather than formal.

How to use it

This works beautifully as a standalone concert piece or as part of a spiritual-focused program where you want variety in texture and energy. The movement and staging features built into the piece make it effective for reverent concert settings or community gatherings.

Skills your students will build

  • Singing independent melodic lines within ensemble context
  • Transitioning between accompanied and a cappella singing
  • Balancing blend when two melodies sound simultaneously
  • Solo performance confidence in a group setting
  • Rhythmic precision with piano accompaniment

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