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Eye of the Tiger: Jazz Ensemble Conductor Score & Parts

$48.00 USD
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Eye of the Tiger Cover Image

Eye of the Tiger: Jazz Ensemble Conductor Score & Parts

Words and music by Frankie Sullivan III and Jim Peterik / arr. Victor López

Grade: 2 (Medium Easy)

Item: 00-29786

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Description
Intrepid! This theme from Rocky III has a powerful groove that keeps on driving forward. No solos, easy brass ranges and a nice interlude that will keep everyone happy. The perfect fun chart for every occasion---can't miss. (3:05)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Eye of the Tiger: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 94
UPC: 038081325750
SKU: 00-29786

More about this title

About the Composer: Frankie Sullivan III

Frankie Sullivan III is a composer and guitarist who has written and arranged music across multiple genres, from rock to film scores. His work on the Rocky III soundtrack, composed alongside Jim Peterik, became one of the most recognizable themes in cinema history. Sullivan's ability to craft memorable melodies with infectious grooves has made his compositions popular in both commercial and educational settings.

Why we love this

Victor López's arrangement captures the relentless forward momentum of this iconic theme while keeping the instrumentation accessible. With no solos to navigate and brass parts that sit comfortably in the middle register, your ensemble can focus entirely on locking into that driving groove. It's the rare crowd-pleaser that actually sounds great and doesn't demand virtuosity to pull off.

What to expect

Propulsive and confident, with the kind of forward-moving energy that makes audiences sit up. The famous guitar riff translates cleanly to the ensemble sound, and the interlude gives the arrangement enough shape to keep it from becoming one-note. It's that rare chart that feels celebratory without being cheesy.

Who it's for

Jazz ensembles at the intermediate level who need a high-energy chart that works for concert programs, pep rallies, or any setting where a recognizable melody and solid groove matter. Directors looking for material that excites students without creating a rehearsal bottleneck will find this arrangement efficient and musically rewarding.

How to get the most out of it

  • Lock the rhythm section tight first; the groove only works when the drums, bass, and comping instruments move as one unit.
  • Keep the brass attacks clean and rhythmically precise, especially during the main theme. This chart relies on articulation clarity, not volume.
  • Push the tempo slightly on the interlude section to create contrast and rebuild energy before the final statement of the head.
  • Use dynamics strategically in the unison passages to prevent the whole ensemble from sounding monolithic. Let the arrangement breathe.

How to use it

Program this as an opener or closer for a concert where you want immediate audience engagement. It also pairs naturally with other movie or pop-culture themed repertoire, and its groove-based character complements both straight-ahead jazz standards and contemporary works. The runtime (3:05) fits neatly into mixed programs.

Skills your students will build

  • Locking into a consistent groove over multiple choruses
  • Balancing rhythmic precision with ensemble blend in unison passages
  • Reading and executing a straightforward jazz lead sheet with clear section markers
  • Maintaining articulation clarity in medium-tempo funk-inflected writing

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