Exultation Cover Image

Exultation: Concert Band Conductor Score & Parts

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Exultation Cover Image

Exultation: Concert Band Conductor Score & Parts

By Michael Kamuf

Grade: 1.5 (Easy)

Item: 00-48166

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Description
This energetic composition is the perfect piece to reinforce dotted-quarter/eighth-note rhythms as well as marcato and staccato articulations with your students. This interesting original will make an outstanding opening or closing selection for any concert. (2:15) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Exultation: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 244
UPC: 038081556512
SKU: 00-48166

More about this title

About the Composer: Michael Kamuf

Michael Kamuf

Michael Kamuf earned degrees in Jazz Performance and Music Education from Youngstown State University's Dana School of Music, followed by a Master of Arts in Instrumental Conducting from George Mason University. His compositions and arrangements have been performed by prestigious ensembles including the Woody Herman and Glenn Miller Orchestras, the USAF Airmen of Note, and the US Navy Commodores, alongside soloists like James Moody, Eddie Daniels, and Sean Jones.

Kamuf spent three decades teaching instrumental music in Montgomery County Public Schools, serving as Director of Bands and Orchestras at John T. Baker Middle School in Damascus, Maryland. His ensembles consistently earned high festival ratings and commissioned multiple works for young concert bands. As an exclusive Belwin composer and arranger, he has over 100 publications in print across jazz, orchestra, and concert band catalogs. He currently leads the Mike Kamuf Little Big Band, a jazz octet based in the Baltimore and Washington, DC region.

Why we love this

Kamuf gives early-level bands a genuinely musical piece that doesn't sacrifice energy for accessibility. The rhythmic focus feels organic to the composition rather than tacked on, making it an effective teaching tool that still sounds confident and polished in performance.

What to expect

Exultation lives up to its name with infectious rhythmic momentum and bright harmonic colors. The piece bounces along with genuine joy, driven by the interplay between crisp articulations and forward-moving lines that keep young musicians engaged and energized.

Who it's for

Grade 1.5 concert bands looking for solid opening or closing material that reinforces fundamental articulation and rhythm skills. Directors will appreciate a piece that teaches and impresses simultaneously, without requiring advanced technical facility from the ensemble.

How to get the most out of it

  • Separate the staccato notes from the marked articulations with clear air between them. Young players often blur these articulations together, so isolate them in sectionals before combining.
  • Lock the dotted-quarter/eighth figures at a comfortable tempo first, then gradually increase speed. This rhythm typically trips up beginning bands, so deliberate practice pays dividends.
  • Balance the marcato articulations so they cut through without sounding harsh. Marcato at this level often becomes too aggressive; think of it as a pointed legato rather than a hard attack.
  • Let the energy build through the piece rather than starting at full volume. Opening with restraint gives you nowhere to go dynamically, which undermines the title itself.

How to use it

Program this as your concert opener to grab attention immediately, or save it for the finale to send the audience out on an upbeat note. It pairs well alongside other accessible contemporary works, creating a balanced program that doesn't lean too heavily on transcriptions or classical standards.

Skills your students will build

  • Dotted-quarter/eighth-note rhythmic accuracy
  • Distinguishing marcato from staccato articulation
  • Maintaining rhythmic precision in ensemble settings
  • Dynamic control through energetic passages
  • Articulation clarity at moderate tempos

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